Archives: Watched

This weekend, I caught up on the BBC’s awesome BTS doc on COME FLY WITH ME, the new series from LITTLE BRITAIN creators Matt Lucas and David Walliams.

One thought from an interview with Matt Lucas really struck me. Inevitably, there was a question about how you follow up a series as successful as LB was ((and love it or hate it, you can’t deny its success)). Lucas commented, on topping LB:

Can we do something as big as that? No. Can we do something better than that? Certainly.

And there’s the rub: whatever we’re setting out to create, the aim should never be about creating something bigger, simply creating something better.

Striving for size and reach will bring pressures and compromises; striving for quality will not only better ensure excellence, but also come with its own–much wider–rewards and may end up being both bigger and better.

Sky Atlantic, the brilliant new HBO-inspired channel from Sky, is currently running a number of great, classic shows from the beginning. Last night, I caught up with the Pilot and first few eps of ER, a show I used to adore but only started watching from around Season 4 or 5.

The pilot isn’t anything all that special: there isn’t much in the way of plot; it’s just a random collection of traumatic events and an introduction to the characters. I’ve seen many better pilots in my time.

What’s easy to forget some 17 years on from that first airing is just how revolutionary and innovative E.R. was at the time.

Never before had a medical drama been shot in such a kinetic, absorbing style. Never before had a show allowed its characters to speak “normally”, without qualifying what “O2 sats” or “insanelylongmedicallynamedthingy” was. Never before had a show stretched its character’s personal arcs across more than a few episodes before nicely tying them up.

Now TV can’t get enough of the verité style; the best shows all worry more about the characters than the events; our favourite shows stretch character arcs and storylines across entire seasons ((or even longer in some cases (LOST) )), without wrapping things up nicely at the end of each episode.

It’s easy when we look back at our old favourites ((be they TV shows, films or any other artistic or creative endeavour)) to see them in the same light we see things now. But if we’re going to continue to innovate, it’s vital that we don’t forget what innovation looked like in the first place.

Remembering how someone set about doing things differently can inspire us new creative heights, allowing us to see how people looked at things from new angles and created something fresh, exciting and–ultimately–hugely influential.

What innovations did your favourite films and shows introduce? How did they change the landscape and inspire other creators to go further?

Ben Craig, a Scottish director who made his short film MODERN TIMES for a budget of tea and sandwiches, has been taking some heat on his Vimeo page for the definition of “no budget” given the very nice Sony EX3 he shot it on and the studio space he used for a flick that’s now gathering some major buzz from Hollywood agents and execs ((as per yesterday’s Hollywood Reporter blog piece here)).

The truth is that Craig shot the entire film using equipment and a studio borrowed from a photographer when it was free at the weekends. He then set about doing all the visual effects himself, learning the software as he went.

The bitterness of the commenters is hard to fathom ((although sadly all too common)). If we as filmmakers want to make the projects we’re passionate about, we need first to focus on building a contacts book of creative collaborators – a network of mutually beneficial relationships.

By asking first “What can I do for them,” before “What can they do for me,” we can not only start relationships on a positive footing, but also potentially open doors to exciting opportunities that will never come the way of those filmmakers who spend their time bemoaning the fact that they don’t have the resources that people like Ben Craig or Gareth Edwards ((the director of the similarly home-made (effects-wise) MONSTERS)) had.

Sometimes selflessness and generosity is the best way of being selfish and getting what you want. I guess that’s what they call Karma.

My body decides that 6.30am is a good wake up time this morning and, as the room is freezing and the wind is rattling the door, any chance I have of convincing myself to go back to sleep is thrown out of the window, so I get up, close the window over lest the same fate should befall the lovely K ((although that’s hardly likely as she sleeps like the dead once she’s nodded off)) and head downstairs.

I make myself a cup of tea with the penultimate tea-bag in the house ((naturally leaving the other for K the tea monster)) and sit down to catch up on emails, news and blogs from the last two days since I’ve been out of the office for most of them. I promptly let my tea go cold and debate whether to walk to the shops but a) it looks freezing outside and b) I’m digging too far into the news blogs to leave my laptop.

By late-morning I’m all caught up on everything I’ve missed and have worked my way through two scripts that were in my To Read pile. I fire off an email of feedback to the writer/director of one of them, but promise myself a second read of the other, since it’s being pitched to me as a possible new producing project and I think it needs a more careful evaluation. ((the first of the scripts is another project i’ve been producing that’s been slowly working through numerous drafts over the last few months)).

K eventually rouses herself and announces (shock of all shocks) that she actually had a good night’s sleep and feels rested and happy – not a common thing for K of a morning. She also informs me that we’re popping next door at 2 to give Wee C ((the neighbour’s 3-year-old)) his delayed Christmas present that various events colluded to prevent us handing over pre-Christmas (or even pre-New Year).

Back from that we take a stroll down the road and pick up some tea and milk, then K hits the sofa to dig into some statistics homework while I clean up the kitchen, including mopping the floor from Thursday’s jumping cider incident (it’s been a bit sticky since).

That done, I head upstairs and have a chill out in the bath, followed by some relaxation, then make a few phone calls that I needed to catch up on, including chasing up a commission that came my way yesterday.

Phone calls finished, I try (and fail) to wrap my head around K’s statistics stuff to see if I can be of any help, but drawing a blank on that I instead fall back on my dinner-cooking talents and rustle up some griddled pork and accompaniments.

After dinner, K hits the sofa again and I head up to the office to check messages and update the blog. When K’s brain has exhausted itself and her mind is a whirl of statistical mess we play a quick game of Bananagrams before heading to the movie room and throwing in the original BBC STATE OF PLAY series, which K’s never seen. I realise I’ve forgotten just how much I love this show as we get through two hour-long eps back-to-back and could quite easily have stayed up and got through all 6 in one straight marathon, but I’m keen for K to rest up before Uni starts on Monday, so I drag us both to bed for sleep.

I tweeted a link to this video earlier, but it’s such a great summation of why we filmmakers do what we do that I felt I had to post it up on here.

This captures all of the endlessly changing feelings we all go through as we battle to bring our baby to the screen. Enjoy! And, if you like it, do the guys a favour and vote for them, too.

http://www.youtube.com/watch?v=pNNEwFqQCB8

Well this is just a whole big bunch of brilliant:

Not sure about the 3D, though. The rest of the Marvel universe have managed to be all kinds of awesome without needing a 3rd dimension, so I’m sure Thor can, too.

I caught Gareth Edwards’ new, much-lauded flick, MONSTERS, at the cinema yesterday and was mighty impressed.

It’s by no means perfect – some of the characterisation is a little rushed, while some of the more minor characters are almost ignored as “featured extras” and a couple of the action sequences don’t pack the punch they maybe could have, fear-wise – but I really, really enjoyed it.

The best thing I can say about it is that I loved it for the movie it is, irrespective of the budget and visual effects work that went into it.

A great film is a great film and I’m always slightly disappointed when I come out of a flick and think, “That was great, for the budget they had.”

I’m really hoping Gareth Edwards is snapped up to write a “Rebel Without A Crew”-style book about the making of this film; I think it would be hugely inspiring to all those filmmakers with the talents to do what he’s done but without the balls to go out and do it.

It makes me want to shut myself away for six months and learn the ins and outs of AfterEffects so I can do the same thing.

Not like that.

After a fun night of snowballing on Monday, Tuesday started slowing me down a little with a scary kind of feeling that I had something brewing. As it turns out, I did, but it was only a cold.

It feels quite good to sit here at a keyboard and type “only” a cold – as one of my friends put it in a text on Thursday, a simple cold used to be a serious issue to me. It would have me worried, K worried, my parents worried. And we’d ride it out and get in touch with my team at Oxford and sort out some antibiotics to treat the inevitable chest-infection that would have followed.

Now, having a cold means I feel a bit rubbish for a couple of days. I love colds like that.

Still, it does have its drawbacks. Since developing my cold on Tuesday night, I appear to have returned to a previous life as a hardcore insomniac. Since Tuesday night into Wednesday, I’ve been sleeping appallingly. Indeed, I sit in the lounge writing this now at nearly 4am and I’m still not feeling anywhere near tired enough for sleep. But during the day I’m becoming Zombie-fied.

This week has been a fortuitous week to be stuck with insomnia, however, since the snow has meant any work I did have lined up has been cancelled and, as of Thursday, we’ve been properly snowed in. I say “properly” but that’s not 100% accurate. What I mean is that we can’t drive anywhere, which, in Milton Keynes, the city modelled on American-style grid-road systems, is a bit of an obstacle.

Yesterday I did manage a wander down to the shops at the bottom of the road, which is somewhere in the region of a mile’s walk, and discovered that traipsing through snow is incredibly hard work. Coupled with the cold, it left me exhausted. I was certain that it was going to help me sleep better in the evening, but no dice. Another hour of lying in bed tossing and turning lead to me getting up and staying up until I finally all-but-passed-out in the late-early morning hours.

So now I’m sat back in the lounge watching 4am tick ever closer, ploughing through more of the extras on the new Lord of the Rings Extended Edition Box Set I picked up from the now-defunct Zavvi in CMK and charging myself up with the drive and passion to go out and make at least one of the short film scripts I have lying on my desk just waiting to be tackled.

I just need to find a cast…

After over a week of editing, re-cutting, designing and burning DVDs I finally finish the Creative Partnerships project I’ve been working on for the best part of 4 months now (not constantly, you understand…), spending almost all of Monday printing and sticking DVD labels onto the discs. Note to self: must get DVD-printer.

I’m immensely proud of the DVD, even if it’s not what the original intention was at the start of the project. Due to the nature of drama projects and the unpredictability of working with 5- and 6-year-old children, the whole project changed and shape-shifted into something entirely different. I’d love to put it up here to show people but since, technically, it’s not mine to show and also – more importantly – given the fact that it’s got minors in whose parents haven’t consented to internet exploitation, I can’t. You’ll just have to imagine it being brilliant or come over to my place and watch it.

It’s been an interesting test for me to make my first own-steam short documentary that I’d have to piece together into a coherent whole for other people to see and take home. Up to now all my filmmaking has been for Live Life then Give Life which is great and brilliant experience, but it’s a very simple, single-camera interview set-up which doesn’t take a huge amount of skill. So to be responsible for something from opening image to final cut is really something special.

What made it all the more worth it was the reaction of the kids when we screened it for them in their classroom. They all loved it and were even air-guitaring along to the montage soundtrack and pointing each other out all the way through it, which was lovely to see. From what I gathered the staff liked it, too, which is always nice.

After the school meet and an evaluation Mocha with Suze, I got back to the office to discover a message from a media-man from a very well known film company looking to partner with LLTGL on a DVD campaign coming up shortly. I can’t go into too much detail as it’s still being discussed, but it is potentially a very exciting development for LLTGL.

In what’s turning out to be a great week for LLTGL, we have also had an offer of a major advertising deal which we need to address but could see us putting the word out to over 700,000 at one time if all the pieces fall into place. We’ll see.

To top it all off, it would be remiss of me not to plug the LLTGL Valentine’s Day Cake Bake, which we’re holding to raise some funds to continue all the work we’ve been doing and expand our operations in line with our current business plan. I won’t bore you with the details, but if you want to help us out and you’re a fan of cake (and let’s face it, who isn’t?) then head straight here to find out about it. Or you can find us on Facebook, too.

I apologise for the lack of updates after my not-too-rubbish start to the year with regular updates etc. I have, however, been somewhat preoccupied over the last couple of weeks with various mentally-busy work-related things, including producing a DVD of a project I worked on last year and completing a First aid course for work at the Grove.

Most excitingly of all, though, is the fact that I’ve been settling in to my new role as Chairman of Live Life Then Give Life, something of which I’m very proud. Our former Chairman, Emma, has felt it necessary to stand down, although she will, thankfully, be staying on as a much-valued trustee. At a meeting two weeks ago, the rest of the board of trustees saw fit to elect me into post as Chairman and I’ve been pretty much rushed off my feet ever since.

I clearly chose precisely the wrong two weeks to step up into the new role, having spent my first week in post working 10-4 on First Aid every day and my second week locked in my home editing suite to cut, design and finalise the DVD for the schools project I worked on with Suze last term. There’s a showing of the vid at the school on Tuesday morning, so it’s the usual deadline-getting-your-butt-into-gear deal as I rush to make sure it all looks tip-top.

Despite the fact that it’s taken me a lot longer than I expected, I’m really proud of the result – it’s going to be a great representation of the project and a great show real for both my work and for Suze’s Catalyst Theatre Arts, the company she runs with her sister, who throw a lot of work my way so it’s nice to be able to give them some marketing material out of it, too.

So it’s not been the best of weeks to try to get to grips with all the extra bits and bobs that go with being a Chairman as opposed to a trustee, but I’ve already seen a whole new side to the charity and what we do. I’m also delighted to see the way our two new trustees have slotted in to the team. The problem with having a team that’s as close-knit as the Live Life Then Give Life team are is that when you introduce new people to the equation it can be difficult for them to find their place and not feel out-of-the-loop or left out. But the current board of trustees have really taken to the new guys and have been working brilliantly with them from Day One, which is such a great feeling not just for me but for eveyone.

Hopefully now things are on a slightly more even keel, I’ll be keeping the updates coming through on a more regular basis. Unless work gets manic again, I guess…