Archives: Film

Just North of London today I met with our military adviser about the impending shoot. They’re 100% behind us and are providing all manner of costume, equipment and research material, not to mention (fingers crossed) our main location, which is both awesomely unbelievable and totally unprecedented for a short film.

We’re waiting on one final go/no go from their ranges to see if we can shoot on the dates we want to, which should come through to us on Monday. All being well it’ll then be all systems GO! for an amazing, life-changing movie for everyone involved.

And don’t forget, YOU can be involved, too! All you have to do is click the link and you can become a Producer on Remembrance by helping us hit our budget target in time for the shoot. Every penny counts, so even if you can’t meet the pre-set amounts, hit the “donate” button and chip in what you can. And if you happen to be flush right now, there’s nothing to stop larger donations, either. And you get to see your name in the credits, too – and you get a free copy of the film when it’s all done.

This is all ramping up to be quite exciting just now and the pedal is about to hit the metal – come along for the ride!

Apologies for the lack of updates. As a wedding gift to her brother from us, K kindly offered for us to look after their 12 year-old, 4-year-old and 3 year-old for a week while they had a honeymoon just the two of them.

I blithely accepted and agreed without really thinking it through and clearly MASSIVELY underestimating the whole thing. We’re having an awesome time, but we’re both shattered and I’ve hardly managed to get anything for Remembrance done this week, which is a bit rubbish. I’m trying to find us a Casting Director to work with, but since it relies on being able to head to London to meet people, that’ll have to wait until next week instead.

I’m also actively recruiting for the DP role and have a load of showreels to get through to find us the best person for the job, but that’s going pretty slowly too. Am just about to put dinner on so we can all sit and eat together, then I’ll be trying to get through a heap of them tonight.

More updates when things get back to normal at the weekend.

As you may have seen from my Twitter feed I spent a large chunk of yesterday afternoon in a Costa drink cappuccino and shot-listing the flick. It’s always an exciting time when you first sit down to work out what pieces of the jigsaw you need in order to make it as great as you want it to be. It’s been on my “To Do” list for ages, but the enforced side-line in the coffee-house yesterday was the perfect time.

What I’ve come away with looks fairly ambitious, but do-able. It’s also likely to change dramatically as I see what we’re likely to be able to do in locations, get to know the cast and what they’re capable of and take notes from my crew on what they think we need.

And speaking of the crew, yesterday the first crew call for Remembrance went out on Mandy.com looking for a Director of Photography. It was due to go out on Shooting People, too, but annoyingly it got “vetted” as their sub-editor clearly didn’t read it properly, which was frustrating as I was hoping to get some responses in before the weekend, when I’m likely to be pretty tied-up.

In addition to the DP, we’re also looking for a Producer to come on board and handle logistics while I focus on the creative and I’m looking to work with a Storyboard Artist as soon as possible to start getting my visual ideas down on paper, since I can’t draw for toffee. If you think you might suit any of these posts, go to the website for more information and get in touch.

Don’t forget, you can still come on board as a Co-Producer or Associate Producer without having to do any work at all – to claim your credit, click here.

I know you’re not supposed to hibernate in the summer, but my excuse is that it’s been rainy and horrible once we had a short spell of loveliness. Still, apologies for the silence last week – I had a few issues I needed to sort out before I could devote myself to getting on with Remembrance and pushing forward.

I’m going to be continuing the break-down of the screenplay and the budgeting this week, and will shortly be on the lookout for the initial members of my crew, more on which later in the week.

For now, I’ve just sent off a couple of proposals to people who may be interested in getting involved in one way or another, so we’ll wait to see what comes of those.

No more hibernation, I promise.

As I said on Wednesday, we’re going to need your help to make this film and achieve what we want to achieve. That means cold, hard cash – £25,000 of it in fact.

It’s a huge amount, but it’s worth it. To be considered for Oscars and the like, shooting on film is really the best way to go – it’s not dead and it never will be. More than that, though, as a calling card movie for both myself and the people who end up coming on board to help, it’s important to show the world that we can handle the big boys’ toys.

More than money, as I said before, is support – and as I know now, support comes in many fashions. I will be asking everyone who works on this film to give their time for free. That includes the military adviser who helped me write the screenplay and their commitment to assisting us throughout production.

So far they have been absolutely brilliant. Not only were they instrumental in the creation of the script, but they have also offered us the use of a fantastic location to shoot the military battle scenes in as well as full technical support and advice throughout preproduction and production.

That should hopefully tell anyone umm-ing and ahh-ing over this project something significant – these guys like it. A lot.

With military backing and the financial support of not only you guys but also some bigger sponsors I’m hoping to pull in, we can truly make this a film to knock people’s socks off.

There’ll be more on how you can help in non-financial ways here next week, but until then have a root around the sofa and see what you come up with. You can find out all about your options and rewards for chipping in here.

After all the to-ing and fro-ing, the waiting, the build-up, the Big Secret Project is finally here.

Oscar

BAFTA

As many of you will know, a good friend of mine set out to make a short film when I was waiting for my transplant. Gone Fishing eventually reached the final 7 in the shortlist for the Oscars, some going for a little film made with the help of friends, colleagues and people he didn’t even know at the start of the project. Shot on 35mm film and finished to the highest of professional standards, Chris’ film has won far too many international festivals for me to count. If you visit his blog, you’ll be able to find out all about it and the festivals.

By far the biggest thing to come out of Gone Fishing for Chris, though, is the launch-pad it has given him into the film industry. From taking meetings in LA to signing with an agency and manager, Chris is living the life he (and I) has always dreamed of.

When I sat at home an mulled over my options for how to get where I want to go when I don’t know how long I have to achieve my goals, Gone Fishing and Chris’ experience thrust themselves into my consciousness. I’ve always wanted to be a filmmaker, I’ve always wanted to make films. It’s that simple. So why sit around thinking about it when you can actually go out and do it?

And given the blessing I’ve been given – the most wonderful gift any person or family can give to anyone else – it seems even more important to push myself to achieve the very best that I can. No middle ground, no soft-peddalling. If I’m going to do this, I’m reaching as high as I can. As a wise man once said, “Reach for the stars and you may just reach the ceiling, reach for the ceiling and you will barely get off the ground.”

Every journey, as they say, starts with a single step. And this is it, “Remembrance”.

Remembrance is a 15 minute short film about war, family and memory through the eyes of three generations of a single British family. It’s chock full of action, carefully-crafted dialogue and packs a real emotional punch. It’s designed to showcase all of the things I can do as a director and writer, working with big names (if things go to plan), working with children and young actors, directing action scenes and working with stuntmen and stunt arrangers as well as working on a smaller scale with intimate dialogue scenes.

As I said when I first sat down to write about it: this one’s good. It’s really good. And I believe it can go all the way. I intend to fully document the process on here for everyone to read and for filmmakers to learn from and I will shortly be enlisting you all for your help in creating this piece of historic cinema. It may not rock the entire world of film, but it will turn my world upside down and become a launching point not just for my career, but hopefully for everyone involved.

Keep checking back for progress reports and on Friday I’ll tell you all how you can help.

I will update the rest of the blog at some point in the near future, but today has been too good to pass up the chance of blogging about it immediately.

As I’ve rather cryptically mentioned over the last couple of weeks I started writing a project that I’m really keen on. Many of you will now know the name of Chris Jones, a friend of mine who set out in 2007 to make an Oscar-winning short film. Many scoffed, but all were eating humble pie when he was short-listed down to the final 7. Now, that short (Gone Fishing, buy it here, it’s awesome) has landed Chris with all sorts of meetings and potential jobs as well as a top-flight manager Stateside.

Never one to re-invent the wheel when others have ploughed the furrow previously (nor, clearly, afraid to mix a metaphor), I thought I’d see if I could write something that might hit the same kind of notes and be the same kind of showcase as Gone Fishing has been for Chris.

So I started writing one night and came up with a story I liked. I sent it to my brother to look at and he liked it. More than that, he sent me 2 pages of notes to bring it up to scratch and then today we’ve spent the afternoon working through the script and really ironing out the detail of some very heavy military sequences.

What I have now is the first official draft of what I believe could become my calling card to the industry. *EGO ALERT, please look away now* I’ve known for a long time that I have the talent to succeed in this business, but I’ve never quite worked out how to convince other people of what I know I can do myself.*EGO OVER* This is it. This is the script that can change everything for me – I 100% believe that.

More than that, my brother likes it so much he’s putting the wheels into motion to get me the kind of support I could only dream of to help get this made. I can’t go into detail here as it’s in way to early a stage, but mark my words – keep your eyes out for Remembrance. It’s going to rock your socks.

I’ve been so busy of late that I’ve fallen way behind on my cinema viewing. Most disappointingly of all, I wasn’t able to get to all the Oscar nominees, which is something I try to do every year. I was really bothered about not checking out Doubt or The Reader in particular, but I also really wanted to see both Milk and Revolutionary Road. But time waits for no man and neither do cinema releases, which are getting shorter and shorter windows at the multiplex now.

Thanks to all of this I decided that I’d spend my first clear-diary-day yesterday at the flicks and catch Watchmen – the kind of film that is likely to make so much more impact on the big screen than when you bring it home on DVD.

Interestingly, I wasn’t expecting to like this very much, which probably served it very well. I have a strong tendency to hype things up in my mind and end up ultimately disappointed by them, so going into a film with low expectations often then works in my favour.

I was suitably impressed – it’s a really good film. The visuals, as you’d expect from 300-director Zack Snyder, are impressive, particularly the open two sequences. But what I liked most about it was how happy it was to let both the people and the story be ambiguous. There’s no clear-cut, black and white definitions in Watchmen at all.

I’ve not read the Alan Moore graphic novel this is based on, but knowing his work I suspect that all of the ambiguity is from him, something Snyder’s clearly worked hard to keep in. I can only imagine the pressure that came from the studio to “lighten it up” and make a few of the characters more likeable. But it’s tribute to Snyder that he stuck to his guns and has turned out a kind of anti-Hollywood blockbuster – it’s big and loud and brash, but it also has a very “indie” sensibility, putting the characters at the forefront and enjoying it’s inherent contrasts.

It’s definitely worth seeing, if for no other reason than it’s a rare comic book movie that ditches the idea of playing to the “tween” market and instead pitch itself exactly where the graphic novel that’s gone before it did. Like the uncompromising Sin City, this features gruesome, hard-core violence, full-frontal (albeit CGI) male nudity and soft-core sex scenes between two main characters. Batman and Robin this is not. Better than that, it is.

This is the first week in a while that I’ve not had things scheduled in my diary for every day of the week. It was a nice change to look in the diary and see some blank spaces.

Somehow, though, it doesn’t feel like I’ve got much of a break – I’ve been so busy that I’ve left a lot of things neglected and so I’ve been on an enforced desk-bound catch-up mission all week.

That said, I did manage to get to the cinema last night to catch Gran Torino, Clint Eastwood’s new film, which I completely loved. I don’t know quite what it is about Eastwood that hits me, but all of his recent stuff since Million Dollar Baby has really grabbed me and totally absorbed me. He’s a truly masterful filmmaker and Gran Torino is his best for a while. Changeling was good, but felt a little bloated and over-long to my tastes. GT on the other hand is perfectly weighted, plays out along an arc that’s at once predictable and surprising – not an easy thing to manage in today’s world of more and more savvy film-goers.

Speaking of filmmaking, things may be starting to look interesting from a freelance standpoint. I’ve got a meeting today to discuss a project in Northampton which stems from a networking session last week, plus I’m in talks to shoot a “making-of” doc for a low-budget British movie that’s gearing up for pre-production at the moment, which is very exciting.

I’ve also just started work on a new screenplay which is, I think, my most commercial spec script that I’ve written so far. I’ve set myself a deadline of 1 April to have a finished first draft, after which I’m going to do a polish on an old script and the new one and start to shop them around companies and agents to see if there’s any interest.

And in between all of that, I’ve got my last 2 talks of my marathon session of 4 in 3 weeks coming up this Saturday and next. I promise I’ll try to blog about them to let you know how they go, since the previous talks I seem to have managed to gloss over entirely on here. If I get half a minute I’ll try to pop back on and at least update the entries for last week’s talks so you know to whom and about what I was speaking.

Although I’ve been doing lots of, frankly, really cool stuff, I’ve actually not enjoyed being as busy as I have been. It’s been non-stop for almost a month and I haven’t had chance to do the things I want to do – I’ve always felt like I’m constantly moving from one thing to the next without pausing for breath, which is something I don’t really want to turn into a habit as this new life should be all about enjoying it all.

So here’s hoping I can be more disciplined about saying “yes” and “no” to things and focus more on what I see as the things I most want to pursue. Sooner or later I’m going to have to make a decision on what I most want to do with myself, and the sooner I do that, the better for everyone, I think.

Not like that.

After a fun night of snowballing on Monday, Tuesday started slowing me down a little with a scary kind of feeling that I had something brewing. As it turns out, I did, but it was only a cold.

It feels quite good to sit here at a keyboard and type “only” a cold – as one of my friends put it in a text on Thursday, a simple cold used to be a serious issue to me. It would have me worried, K worried, my parents worried. And we’d ride it out and get in touch with my team at Oxford and sort out some antibiotics to treat the inevitable chest-infection that would have followed.

Now, having a cold means I feel a bit rubbish for a couple of days. I love colds like that.

Still, it does have its drawbacks. Since developing my cold on Tuesday night, I appear to have returned to a previous life as a hardcore insomniac. Since Tuesday night into Wednesday, I’ve been sleeping appallingly. Indeed, I sit in the lounge writing this now at nearly 4am and I’m still not feeling anywhere near tired enough for sleep. But during the day I’m becoming Zombie-fied.

This week has been a fortuitous week to be stuck with insomnia, however, since the snow has meant any work I did have lined up has been cancelled and, as of Thursday, we’ve been properly snowed in. I say “properly” but that’s not 100% accurate. What I mean is that we can’t drive anywhere, which, in Milton Keynes, the city modelled on American-style grid-road systems, is a bit of an obstacle.

Yesterday I did manage a wander down to the shops at the bottom of the road, which is somewhere in the region of a mile’s walk, and discovered that traipsing through snow is incredibly hard work. Coupled with the cold, it left me exhausted. I was certain that it was going to help me sleep better in the evening, but no dice. Another hour of lying in bed tossing and turning lead to me getting up and staying up until I finally all-but-passed-out in the late-early morning hours.

So now I’m sat back in the lounge watching 4am tick ever closer, ploughing through more of the extras on the new Lord of the Rings Extended Edition Box Set I picked up from the now-defunct Zavvi in CMK and charging myself up with the drive and passion to go out and make at least one of the short film scripts I have lying on my desk just waiting to be tackled.

I just need to find a cast…