Today, my great journey to summit the 3 highest peaks in the UK within 24 hours began with the single, simple step of inducting myself at the gym.
I’ve been lucky enough to be sponsored by Topnotch Healthclubs with a gym membership and, if you’ll pardon the pun, top-notch training advice and personalised programmes to get me ship-shape and walking-fashioned in time for the challenge in June.
This blog, in what must been its umpteenth iteration1, will become home to OLI’S 3 PEAKS – the online diary of my build-up, training, highs and lows of my bid to raise awareness of organ donation by attempting a frankly very silly challenge for someone with a) a total lack of any kind of physical fitness and b) a very low tolerance for pain or discomfort.
Here, as they say, goes nothing….
having followed pre- and post-transplant journey and a short “trial” stint at university [↩]
Anything that doesn’t go the way you intend may at first appear like an utter waste of your time, but it’s important to find the positives and ways to take advantage of a situation that may not be to our liking.
A Twitter buddy of mine this week posed the following question:
Would you use [product placement] to fund / part finance a film?
Followed closely by this Tweet, which makes no secret which way he’s leaning.
All this is, of course, highly appropriate just now with the UK about to start allowing product placement for the first time.1
I do think product placement has a place in helping to fund the TV and film industry over here. Apart from anything else, who are we to turn down sources of funding to get things made – not just for us but, potentially, more and better off-the-wall, risky TV drama and other formats it may help fund?
The issue for me always comes with the compromise that a filmmaker or an artist has to accept in order to allow for product placement. If you have to change elements of your script to accommodate a product you need to take a long, hard look at the reasons behind it and not fool yourself that it’s a “creative” decision.
That’s not to say all changes in the name of placement are a bad thing2 but I would always shy away from placement-based rewrites that affected anything more than a passing glance or irrelevant detail.
The key decider for any product placement-based changes has to be this: if someone were offering you the same sum of money without a product to push, would you make the changes they’re suggesting just because they’re giving you the cash?
If the answer’s “yes” then either a) they’re surprisingly good story analysts and you struck luck or b) you’re a sell-out and I wish you a long and happy career. Just don’t fool yourself into thinking you’re making great art as you pander to the the money-men’s whims.
It’s entirely possible to incorporate product placement in a creative and ethical way, but we should all beware of those people who will become slaves to the product, rather than serving their story.
The BBC have got a great article on it and its perceived impact here [↩]
you wouldn’t see a huge amount of harm in switching a character’s car from a Ford to a Seat, for instance, as long as it says the same things about his life, social status etc [↩]
Welcome to another new LOWDOWN, that part of the Production Office that brings you tips and tricks on all the tools you need to enhance your career as a filmmaker and creative.
Today, it’s Productivity.
Anyone who follows my blog will know I’m pretty hot on productivity. For far too long I spent my days being busy, but rarely productive. Since harnessing some of the tools I’m talking about today and putting some best practices of getting things done into place, I’ve become much more focused, much more productive and much more successful.
Let’s have a look, then, at some of the tools you can use to make your life easier.
EVERNOTE
Evernote comes at the top of the list today for two reasons: number one, it’s the tool I was most recently introduced to and two, it’s the tool I now find the most invaluable.
Evernote is a desktop and web-based app that you can also get for almost all smart phones. It’s free to get started, but if you go over a certain storage limit you have to start paying. That said, I’ve used it quite a lot and still not exceeded my free allowance.
What Evernote does is to collect together all those bits and pieces of things on the web that you want to take note of, as well as allowing you to compile your own To Do lists, projects and other notes. It’s the simplest, cheapest and easiest way of keeping track of just about everything you need to remember. The Evernote logo isn’t an elephant for nothing.
THINGS
The second tool that works hard to keep you on time and on-topic is Things. The biggest down side? It’s Mac-only. So all you Windows dinosaurs can’t take advantage of it. You also have to pay around £30 for it, which puts it a step below Evernote to begin with.
Once you get past those elements, though, Things is brilliant for tracking To Do’s, project files, notes and reminders. Most usefully, though – and what helps to elevate Things to a point worth paying for – is it’s interaction and syncability1 with iCal and iPhone. If you use Apple’s MobileMe syncing solution to share your calendar across all your home computers, like I do, Things swaps and shares data seamlessly with not only all of your computers, but your phone as well. An invaluable way of keeping track of everything you need to know when you need to know it.
BASECAMP
There are numerous online project management tools that help you and all your collaborators to keep track of all the strands that make up your project, but the best one I’ve found (and used) is Basecamp.
Unlike other, equally useful online tools like Huddle, it’s Basecamp’s pricing structure that really makes it stand out. You pay a flat monthly fee from $24 (£15) and upwards that allows unlimited numbers of people to join your project and work on things with you. Huddle, by contrast, charges you per user per month, meaning a major film or creative project would quickly rack up sizable fees.
Basecamp2 is best used for sharing documents and keeping track of project timelines and goals in a way that everyone involved can see. Not only is that a great motivational tool – if everyone know what you should be doing, you’d better be doing it – but also a great way of making sure key things don’t get missed and that everyone knows the timeline their working to and the goals their aiming for.
There are hundreds of different tools of productivity for you to explore, but I’d suggest you limit yourself to trying one or two at a time, otherwise you risk undoing all their good work by spending all day getting to know them and setting them up as opposed to using them to help get your work done.
For more o productivity, keep an eye on my blog here, as well as checking out the99percent and lifehacker, my two online bibles of productivity tips and tools.
Starting a debate is a great way to engage your creative muscles. Not only does it force you to examine your own perspectives, it also opens you up to taking on board new ideas.
Great debates create new angles to examine problems and new ways to solve them.
As a writer, stirring debate can also help you to write both sides of an argument. I frequently start writing scenes between two characters and realise that it’s totally one-sided because I agree strongly with one of the characters. By entering a debate with my friends and Twitter buddies, I can get different views and arguments that help me round out my characters in a much more successful way.
What debates have you used to aid your writing or creativity? How did you get them started – is the interactivity of Twitter the best way to go, or the public discussion of Facebook?
This weekend, I caught up on the BBC’s awesome BTS doc on COME FLY WITH ME, the new series from LITTLE BRITAIN creators Matt Lucas and David Walliams.
One thought from an interview with Matt Lucas really struck me. Inevitably, there was a question about how you follow up a series as successful as LB was1. Lucas commented, on topping LB:
Can we do something as big as that? No. Can we do something better than that? Certainly.
And there’s the rub: whatever we’re setting out to create, the aim should never be about creating something bigger, simply creating something better.
Striving for size and reach will bring pressures and compromises; striving for quality will not only better ensure excellence, but also come with its own–much wider–rewards and may end up being both bigger and better.
and love it or hate it, you can’t deny its success [↩]
Sky Atlantic, the brilliant new HBO-inspired channel from Sky, is currently running a number of great, classic shows from the beginning. Last night, I caught up with the Pilot and first few eps of ER, a show I used to adore but only started watching from around Season 4 or 5.
The pilot isn’t anything all that special: there isn’t much in the way of plot; it’s just a random collection of traumatic events and an introduction to the characters. I’ve seen many better pilots in my time.
What’s easy to forget some 17 years on from that first airing is just how revolutionary and innovative E.R. was at the time.
Never before had a medical drama been shot in such a kinetic, absorbing style. Never before had a show allowed its characters to speak “normally”, without qualifying what “O2 sats” or “insanelylongmedicallynamedthingy” was. Never before had a show stretched its character’s personal arcs across more than a few episodes before nicely tying them up.
Now TV can’t get enough of the verité style; the best shows all worry more about the characters than the events; our favourite shows stretch character arcs and storylines across entire seasons1, without wrapping things up nicely at the end of each episode.
It’s easy when we look back at our old favourites2 to see them in the same light we see things now. But if we’re going to continue to innovate, it’s vital that we don’t forget what innovation looked like in the first place.
Remembering how someone set about doing things differently can inspire us new creative heights, allowing us to see how people looked at things from new angles and created something fresh, exciting and–ultimately–hugely influential.
What innovations did your favourite films and shows introduce? How did they change the landscape and inspire other creators to go further?
Everyone has bad days. It’s a natural thing; life can’t always be sunshine and popping candy. The trick is not to let bad days absorb you and pull you down into a spiral of bad mood, bad attitude and – as a result – more bad days.
One of the purposes of my original blog (archived here) was to constantly remind myself of the good things in life; the simple things that happen every day to make you smile.1
Getting through bad days is all about finding that kernel of goodness, that moment of levity, that scrap of positivity and grabbing hold of it with both hands. It’s not always going to make your bad day go swimmingly, but by looking for the good in every bad day, though, you’re opening yourself up to the positive experiences, rather than closing yourself off: that road leads to wallowing.
Don’t sweat the bad days, just try to find the good that you can carry forward into tomorrow so you don’t let the day that’s gone before rule the next day, or the next, or the next.
Psychology Today ran this article last week suggesting that acknowledging other people’s unhappiness is the key to making them feel happier. Sounds odd – backwards, even – since our usual response to someone telling us they’re unhappy or stressed is to be positive and encourage them.
When you think about it, though, how annoying is it when you’re feeling gloomy and someone tells you to “cheer up”? It certainly doesn’t cheer you up, does it?
I’ve found, too, that when other people deny or ignore my feelings, I tend to keep repeating myself (i.e., whining), because I think my feelings haven’t registered.
Have you found that acknowledging bad feelings allows them to dissipate better?
This week I discovered the many pros and the major curse of staying regular.
Since re-branding my blog1, I’ve been blogging to a steady schedule of Monday, Wednesday, Friday for new, authored content, with Pick of the Web linked-content on a Tuesday and Thursday.
Last week, I didn’t blog on Thursday and Friday as I was busy taking stock of things in my life. In those two days, my readership on the blog halved. Just three days when the blog was devoid of new content.
But worse than that, it’s stayed at a lower ebb and is only now (after 3 days back on the regular schedule) starting to pick back up towards its previous numbers.
Blogging regularly is great in terms of building an audience; if people know when you’re posting, they know when to come looking and they know what to expect from your blog. But beware of committing yourself to a schedule of posts you can’t sustain.
Much better to follow a simple, one-post-a-week formula (such as that employed brilliantly by Clive Davies-Frayne on Film Utopia), than it is to attempt daily posts that you can’t keep up, or to release new blog content in a scattershot manner whenever you feel like or are able to write it.
Work out what you can realistically achieve, define your schedule and stick to it. Staying regular is the key to creating value for the people who read your blog as religiously as you write it.
