Archives: Writing

Mañana Mañana

It has occurred to me of late, rather alarmingly, that I may be turning into a middle-aged woman.  Not in any real, physical sense, you understand – I’m not that weird, yet – but rather in what I like to call my “Mañana Manner”.

For years I’ve observed that strange phenomenon in women who feel a little over-weight to protest over a long, languid Sunday roast of a dozen or so courses with free-flowing wine and truffles to finish that their diet starts “tomorrow”.  So many “tomorrows” are there in the world of middle-aged women that it’s a wonder today every happens at all.

Losing weight is obviously not an ideal goal for me – being the svelt 52kgs (that’s 8st 2lbs in old money or 114lbs to our American cousins) I am at the moment – but I have found the “Mañana Manner” creeping into other areas of my life ever more prominently as I continue to enjoy something of an “up”.

For weeks now, I’ve been promising myself that I will get back to the screenplay I abandoned half-finished at the back-end of May, when I was whizzing through my 6-page-per-day target almost non-stop.  My birthday upset the balance at the end of the month, and then my prolonged “outage” set me even further adrift.  Now, I seem to find excuse after excuse to avoid putting myself in front of the screen to finish off a piece of work I’m actually pretty happy with.

Last week didn’t help, turning as it did into one of those run away weeks which sweep you up from the start and end up dumping you at the weekend with hardly a moment’s pause for breath (paradoxical, I suppose, since I have hardly any breath to pause for) .  An aborted call in the middle of things didn’t help, but I honestly could not tell you whether or not the last three days really did have their full 24 hours or if someone decided to switch us on to fast forward for a little while.

You know the sort of thing I mean: when you go to bed on Monday, wake up in the morning and it’s Sunday and although you know you’ve been busy all week you can’t for the life of you think of the things you’ve done.

So it was hardly a struggle to continue to find reasons not to get back to my desk, although I’m getting pretty good at that now.

It started innocently enough as a case of writer’s block – reaching a mid-point in the story which needed a kick and not being able to work out where it should come from.  I can’t, however, really cling to that as a reason not to have confronted it in the last couple of weeks, since I sorted that problem out in my head a good couple of Monday’s back.

It is much more a case of the intrusion of the “Mañana Manner” on my writing habits: I can’t possibly start writing today, I’ve got to finish this chapter of my book first.  I can’t possibly start writing today, it’s the middle of the week and I shan’t be able to write tomorrow, so what’s the point in getting into the swing of things, just to lose the flow again?  I can’t possibly write today, it’s nearly the weekend.  I can’t possibly write today, it’s Sunday.  I can’t possibly write today, there’s a small black-and-white dog lurking outside my study window.  I can’t possibly write today, the sun isn’t quite bright enough to echo the mood of the piece I’m trying to create and I’m not going to be able to find the right “zone”.

It’s remarkable how creative one can be in forcing oneself not to be creative.

What’s more, it amused me as I thought these things through to myself as I washed-up (yes, washed-up – if that’s not a sign of improvement, I don’t know what is) that for someone who can procrastinate so spectacularly well around doing something I’m passionate about, how is it possible that I manage to park my butt in front of my computer to bang out nearly 1,000 words of blog most days of the week?  I think my priorities may be a little skewed….

Still, the most important thing is that you’ve got something to read to waste 5 minutes of your day.  After my transplant I’ll have plenty of time to do things for myself, for now I choose to put you, dear reader, first.  I’m that sort of a giving kind of person, me.

Weekend

It’s been an up-and-down few days (when isn’t it, these days), but more up than down.

The trouble is, this evening I feel so tired and my back is causing me so much bother that try as I might, I’m struggling to pin-point the highs and lows  of the last few days.

A definite high was seeing K’s big niece, little niece and nephew, all of whom I haven’t seen for ages.  It was nice to see their dad, too, although even nicer of him to go get us a paper (thanks, Rob!).

I managed a good hour or so of fairly sedate entertainment, leaving K to do most of the running around and baby-chasing as little Jack set off exploring the wonders of the un-baby-proofed apartment.   Having palmed off the high-maintenance duties to K, I settled myself with a game of chess and a bit of a story book/CBeebies magazine, which is much more my kind of pace.  Although chess with a 1-year-old knocking about is a far more defensive game.

The rest of Sunday was gainfully employed resting, although we did pop over to my ‘rents for some food in the evening.  The trouble is it’s such a long way away now (yes, 20 minutes’ drive is a long way now) that to avoid being a dangerous, half-asleep driver on the way home, we literally only get to swoop in for food and then run away.  I know parents are parents and they don’t mind things like that, but it does bother me somewhat how anti-social we can be.

I suppose it’s one more thing to look forward to post-transplant: those long, leisurely Sunday lunches which start at lunchtime and roll on to dinner time with a good deal of laughing and chatting in the middle.  Another thing to add to my “To Do’s”.

Saturday was very quiet, resting up at the promise of baby visits on Sunday, and expecting a slightly fuller day of visitors were it not for the odd drunken mishap changing plans around. (No names.)

Today started really well after a bad night’s sleep.  I woke feeling surprisingly spritely and sat reading for a while before showering (with my oxygen!) and doing physio and finally getting through the few pieces of copy I had to write to finish off this issue of CF Talk.  We should now be at a final proof stage, which I should receive in the next few days, and  I can check it, correct the mistakes, sign off the whole thing and get it out.

This afternoon has seen a bit of a down-turn, with my chest getting a bit tighter and me more breathless, with a slow onset of not only a headache but a good deal of back pain, too.

As I write, I’m about to whisk myself off to bed to see if I can settle myself and sort it out, before trying to get an early night’s sleep for a change.  I could really do with a good, long night’s kip.  Here goes…

Rolling again

Happily, the jinx doesn’t seem to have lasted too long, which is definitely a good thing.  After a bit of a slow down at the end of last week and a weekend spent doing as little as possible, things seem to be back to where they were before I decided to blog-big about my projects and plans.

From now on I intend to only highlight imminent events on here, and to talk about everything else only once it’s safely behind me.  Which is odd, because I really don’t believe in jinxes/superstition.  As my brother delights in telling me, it’s unlucky to be superstitious.

So, the last couple of days have seen me finally bite the proverbial bullet and really get my head into CF Talk to get it swept off to the designers.  They do a fantastic job, but do insist on having FINAL copy before going to work on it, as they’ve found to their cost in the past that if people are still chopping and changing while they work then a certain turn or phrase or clever image in the text that spurs them on to create a funky look for the page can disappear and leave the reader bemused as to where the page-layout idea came from and possibly whether the designers were smoking something while they worked.

And I know for a fact that Tin Racer is a no-smoking facility.

The trouble with having to provide them with final-final copy is that I’m terrible for making lots and lots of little tweaks to the text for the CF Talk copy.  Often, the copy we receive is too long for the format and needs to be cut down, but I’m always anxious that while I may be cutting and re-jigging the article, I am never rewriting it.  Because the whole idea of the magazine is that it is written by pwcf for pwcf, it’s really important to me to keep the original author’s voice on their work, and not edit it into one homogenous style throughout the mag.

What this means is that while I’m editing, I’m constantly making changes and adjustments to the articles to make sure I’m keeping the thrust of what’s been written, as well as the original voice, whilst shaping it into an article that will fit within the space constraints imposed by our format and style.

It’s not easy and it’s one of the jobs that I always find myself trying to delay.  This time it’s been even tougher as I had a long spell out of the editor’s chair going through my recent rough patch, which meant that I had to come back to look at all the articles again, having completely lost the flow I was in before I had to down tools and sort myself out.

Happily, though (and I do enjoy seeing that word twice in the same blog entry), I have now managed to sign off on over 3/4 of the copy for the new issue and turn it over to the guys at Tin Racer.  All I have left to do is all the little mop-up pieces which come last, like the Editorial for the issue, the contents page and the competition page.

It’s been a long time coming, but hopefully we’ll carry a bit of momentum into the next issue and get it out quite quickly this time round.

Obviously, I’m looking at taking a long weekend off all work-related bits and pieces this weekend to make the most of my 25th Birthday, for which I have so far studiously avoided planning anything.  It’s a little sad, I have to say, to not be able to celebrate things properly, but I’m actually so glad to be here to see it and to be able to share it with all my family and friends, whether I get to see them or not, that it’s not got me down as much as one might expect it to.

I’ll be sure to chart progress of the other work I do manage to achieve this week on here once I’ve got there, but I’ll hold back from jumping the gun and shouting about my plans for the week for now.  I’ve learned my lesson.

(Whisper it) I’m writing

Believe me, it’s amazing myself as much as anything, but so far this week, I’ve exceeded my target of 6 pages a day three days in a row – how brilliant is that?

I’ve no idea where this sudden glut of motivation or inspiration has come from, but suddenly things seem to have developed their own sense of momentum and I’m rolling along at a cracking pace and really enjoying myself, too.

It’s not just my new script that’s coming on leaps and bounds.

Live Life Then Give Life is still going strong, expanding all the time and the team behind it has grown and solidified into a (hard)core of people dedicated to improving organ donation in this country.  It’s a privilege to be involved with such a great campaign and group of people, who all work incredibly hard and really spur each other on to greater and greater things.

National Transplant Week, set up and run by Transplants in Mind (TiM) is in July and we’re all working feverishly to see what ways we can come up with to publicise it and raise as much awareness as we can.

There’s also the new issure of CF Talk which is coming together really nicely and now sits with the designers, who are currently working their very particular brand of magic on it.  I love the work our designers do on the mag and this is always the most exciting stage of an issue for me, where I hand them the copy and they come back a week or so later with some cracking imagery.

What’s always really funny about the whole process is that they are fantastically open to comments and ideas on all of the stuff they do, but there’s so rarely anything I want to change with the stuff they come up with it almost always goes to print identically to the first draft version I get sent through.  I suppose it’s a perfect illustration of a team working in harmony together to get all the elements looking their best.

I weary at the moment that it is almost always when things are rolling along at their best that the trip-ups tend to come.  But at the same time, knowing the up-and-down nature of my health at the moment, it seems all the more reason to enjoy doing all of these things while I can without fretting about the “what ifs” or the “what’s coming next”.

I suppose it’s something akin to parents trying to wrap their children in cotton wool. If you never allow your child to go out in the garden and play in the mud and put themselves at risk of germs and all the things children come into contact with then they may very well not get ill and stay more healthy than other children, but they also lose a large chunk of what it is to be a child – to explore the world and find out first hand that mud is mucky and worms don’t taste very nice.

And so it is for me at the moment.  I could easily shut myself away in my bedroom and rest 24/7, spending my days eating, sleeping and doing treatments.  But I don’t want to look back at this time pre-transplant when I’ve finally had my op and think of all the things I missed out on because I was too worried about what would happen next.

If a downturn is coming, then so be it – I’ll take it on the chin and ride it out like all the others.  I hope I can stave it off and continue to enjoy the good side of life.  But whatever happens, it’s not going to stop me doing the things that mean something to me.

It worked!

Two days of lying in bed and doing NOTHING at all actually did the trick and I am now able to sit in my study and actually comtemplate work.

I say “comtemplate” because we all know (or at the very least we should all know by now) that I’m the world’s number one procrastinator and can find a way to weedle out my time sat in front of my computer better than anyone else in the whole wide, entire world.

As it happens, I have achieved a lot of “work” today by checking and sending emails.  These consist largely of sending ideas out to people for possible projects/ideas for collaborations which I’m hoping to get off the ground.

The Youth Theatre experience has taught me that being house-bound and energy-limited needn’t necessarily mean not doing anything at all, but rather that I need to find the right project and the right people to work with to make the most of what I have to offer.

So I need to find myself things to do whereby I can inspire and facilitate things for other people to pull off: kind of like a producer on a film – which is, interestingly, one of the projects I’m considering.

Like all good executives, what I need is to set up a situation where I can delegate work to the people who can handle it and can fill in for me when I’m not up to the task.  At the same time, it should leave something on my plate to make me feel a) involved and b) useful.  Being a base-touching point-of-contact is perrhaps the ideal situation.

That may all be rubbish, of course, and in fact just be providing a very useful excuse to give me a reason to avoid sitting at my desk and getting any worthwhile writing done, but then I’d hardly be doing myself justice if I wasn’t working hard to avoid working hard.

In fact, trying my best to avoid doing any work appears to be the perfect proof that I need that I must be well on the mend.  If I’m not moaning about not being able to work, then I must be doing my best to avoid doing it when I am able.

Most people would think that ironic, I know.  Lucy I’m not most people.

Still trucking

It appears, having just flitted over to the CF Trust’s message boards, and by looking through my inboxes, that I’ve had people rather worried by disappearing from my blog for the last few days.   Oops.

I assure you, everything is fine.  Certainly improving.

To tell the truth (not sure why I needed to add that, since it hardly pays to lie to oneself on your own blog….) I was bumming myself out, which is why I stopped for a bit.

Far from reminding myself to Smile Through It and keep on finding the positives in the darker times of life, I found that every time I started writing a post on the blog in the last few weeks, it’s only been to say either that I feel like cr*p or that nothing’s changed for the better.  Even the times when things had changed for the better, the change seemed so infinitesimal and pathetic that it either wasn’t worth mentioning, or served only to lower my despondency about how I’ve been doing.

It’s been weird to find myself trapped in a vicious circle of negative thought, and not something I’ve been used to in life.  Most times, my dark periods inhabit the odd spell of a week or so before things conspire to kick me up the butt and show me the way to carry on.  This latest down-turn has been different, though.

I don’t know if it’s the increased fear of mortality (or, “Am I gonna kick it?” as I prefer to call it) or the impairment to my quality of life inherent in having sunshine blazing through the windows but not enough energy to leave the apartment and enjoy it, but I’ve been lost in a mire of negativity for the last few weeks from which I seemed to have lost the map that usually provides my guide.

Sure, I’ve had good moments – I’ve managed to share Easter with the families around me, I’ve shared a little laughter with friends, I’ve even managed a trip to Borders (hurrah!), but there has been an overwhelming sense of good, old-fashioned, Dickensian melancholy hanging over me throughout.

It’s not that I entirely lost perspective on the whole thing: last week I was sitting a the funeral of a young girl who’s been an almost constant fixture of my working life for the last six years, since she’s been coming to the MK Youth Theatre sessions since their inception.  Sitting in the packed church among many young people experiencing their first distressing taste of grief, I realised that the very day I hit my lowest point – Sunday 1st April, as documented here previously – her Mum, Dad, younger brother and Grandparents were waking up to a new world without their beloved daughter.  How could I complain about pain in my life when held up against the pain of a parent outliving their child?

I’ve still appreciated each day I’ve been given, but it sticks in my proverbial craw (I’ve never really known what that means, but it seems to fit here, anyway…) that “making the most of it” is limited to sitting in the chair at the bay window using the bright sunlight to read by, as opposed the to dim interior light all through winter.

Finally, though, after weeks of dragging myself through the rough parts of every day and persevering in ways I wasn’t even sure I was capable of, I seem to have made it out the other side.

That’s not to say things are all bright and rosy, but I have at least got the energy to pop over to my ‘rents and enjoy the fresh air and sunshine if I want to, or to sit in the study and surf the ‘net a while without completely exhausting myself and having to collapse into bed.

I’m able finally to contemplate looking at the next issue of CF Talk, which has been sitting unattended on my desk for nearly 2 months now and is in dire need of completion.  I’m able to think about the other writing projects I was looking at before and see if I can rekindle the spark that was there before.  I’m able to focus my mind on something other than how my chest is feeling or whether or not I should stay in bed rather than move to the sofa.

I’ve one more negativity-hurdle to overcome, and that will be over after the weekend.

This Sunday sees the Activ8 Youth Theatre show at MKT take place, an event which was to have been my first opportunity to get stuck in to directing a short piece for the Youth Theatre and to benefit the CF Trust.  If I’m honest, I saw it as something of a swansong with them, acknowledging as I have to the likelihood that my involvement is being compelled by my chest to end.

Rather than a happy ending, though, it’s going to be an extremely tough one to get through.  Not just physically, although I can’t pretend that that’s not going to be a challenge in itself,  but because I’ve ended up having almost nothing to do with the finished product.  Three weeks’ of rehearsal in a 12 week term doesn’t amount to a contribution, in my mind, and the work I had hoped to see up on the stage is now more likely to bring me down than uplift me.

I wanted so much to make this something to remember – an event that showed the Theatre’s support not just for the CF Trust, but for the whole Youth Theatre, and a true showcase of the talent which has been nurtured through Activ8 over the last half a decade.  And don’t get me wrong – it is still very much all of those things.

But it doesn’t feel like it’s anything to do with me.  I feel like a passenger, an outsider, something akin to a “consultant” who’s seen parts of the process leading up to performance and had a little input, but not someone who forms part of the “team” whose talents are being showcased.

I know that people will shout me down and will be quick to try to dissuade all of my fears and make me feel a part of it, but I can’t get passed the fact that I’ve not been there for them or with them for pretty much the entire term.  This is their show and their showcase, and it’s nothing to do with me any more.  That saddens me, and it’s going to be hard, but nothing will stop me being their to support them.

I am trying to keep my air of positivity and move forward from here – and I know I will continue to progress – but I also know that this weekend is going to be a really tough one to get through.

Thanks to everyone for your good vibes, your love and prayers over the last few weeks.  They really do make a difference, and they have helped me enormously.  I shall endeavour to keep up with my more regular out-put of the past, as I will endeavour to keep myself looking up and not down, forward and not back.

Keep on truckin’.

Swinging

No, not like that, you dirty-minded little ratbag.  Hehe – I said ratbag.

No, swinging as in modd-swings, as in ups and downs and roundabouts – a very Miton Keynes kind of blues.

Today’s been full of it.  Every particular kind of “it” you can imagine.  Except that one.  I’ve been up, down, and all around, trying to work out what on earth my head, body, mind, brain, chest, feet and hands are up to.

I’ve decided the answer is that I don’t know.

Having spent the weekend doing nothing, following two days of doing nothing, I’m feeling somewhat bored of nothing-ness.  Today was supposed to be a better day because a) I’ve spent 4 days doing nothing, so I must have improved, even just a little and b) I actually had something to focus on – a telephone interview with David Seaman (ex of England and Arsenal) for CF Talk.

It started slowly (the day, that is, not the interview), it taking me a while to wake up, but I did get up with a good deal less pain than I’ve had for the last few days.  This morning’s discomfort was more in the line of “aches” than pains, which I attribute largely to muscular discomfort after over-compensating for the positions which caused me pain over the weekend.

After dropping K off at work, I prepared for the interview, but when I phoned, David was out (how inconsiderate).

I then sat around for the rest of the morning and I have honestly no idea what I did in the 3 hours between phoning DS and speaking to him when he phoned me back this afternoon.

I’d rather given up on the idea of speaking to him today, actually, and was hugely tired before he did call.  I toyed with the idea for a while of leaving an out-going voicemail message saying, “Hello David Seaman, thanks for calling back, I’m just having a bitof a nap at the moment, but let me know when you’re free and I’ll call you back when I wake up.”

Thought it might seem a bit odd.  Especially if the BT man rang.

Still, I managed to prise my eyes open long enough to hang on for his call.  I managed to stay awake all through the interview, too, which I took to be a good thing because I can’t help feeling it’s a little rude to nod off when talking to a celebrity over the phone.

As it happened, I’m not sure he would have minded, since he seemed like a really lovely bloke.  I managed to glean lots of interesting bits and bobs from our half-hour chat today, including the fact that he is a huge INXS fan, which I promised not o hold against him, in the same way I tried not to hold it against him that he captained the Arsenal side which beat Southampton in the 2003 FA Cup final I was in Cardiff for.

I also learnt he owns a Geri Halliwell album.  He claims it’s his wife’s.

After that, though, things seem to have gone downhill.  (In my day, not the interview, that is).

I picked K up from work and took myself off to bed, where I dozed for an hour or so, then propped myself up in bed with a cuppa to read for a while, but found myself feeling distinctly unpleasant after not too long.  This rampant see-sawing of  wellness has started to drag in the most incessant way.

I’m finding it harder and harder to stay on an even keel mentally when my body sees fit to flip-flop all over the place physically.  It’s not that I seem to be changing from day-to-day, it’s that I can change from hour-to-hour, one minute up and full of energy, ideas and get-up-and-go and the next minute with less energy than a battery-run bunny after a 10-hour run-off against the Duracell dude.

If only there was a pattern or a rhyme or reason to what was happening or when it happened, I would at least be able to square it in my head so that I was prepared for the sudden on-rush of bleakness.  But the constant swinging from state to state creates such an enormous  flux through the day that I find it impossible to anticipate and I find myself being dragged down mentally as soon as I flag physically.

I am hoping against hope that the next few days bring a renewed strength and chance to focus myself on to some of the things I really want to do, because much more of this flip-flopping, see-sawing, up-downing and I think I really might go mad.

Either that or I’ll find myself watching day-time TV, which is the same thing, really.

A new ball rolling

I’m nothing if not reliable – I’m quite liking this new era of being able to work out what my body’s telling me, it’s certainly better than the confusion leading up to Christmas this year (see Nov/Dec’s posts for more) – as yesterday and today I find myself back on the wagon and with enough energy to get through the day again.

Not only that, but I’ve also found the time (and inclination) to start a new ball rolling.  Yesterday, for the first time in nearly 3 years, I think, I actually sat down and started writing a new play.  It’s only small, and not very grand, but with 8 pages down on the first day, I can really seee where it’s going, which is somethin of a rarity for me when I first start projects.

It’s actually based on a couple of ideas I’ve had for quite a while, but have only recently strung together to make a sensible whole.  The whole thing kicks off with an image/scene I’ve had in my head for ages, but not been able to find the right context to put it into.

One of my biggest problems when I start out writing is knowing where things are going to go and knowing that there is some conflict there which will drive the story/plot.  Many of my abandoned attempts at plays in the past have fallen by the wayside because nothing happened in them.  As good an ear for dialogue as I think I have, all talk and no substance doesn’t make for a very interesting play.

So I’ve kicked off the new one with a cracking first 8 pages at the first sitting and I’m hoping to keep up with around 5 pages a day in the hope of getting a first draft done by the time I go into hospital for my next planned course of IV’s at the start of April.  From there, if I like it, I’m thinking of submitting it to the Verity Bargate Award which Soho Theatre runs every year.

It’s about time I actually started to put my scripts out there and stopped sitting around at home calling myself a writer with nothing but a couple of 10-page Youth Theatre pieces to show for it.  I also plan to redraft an old script of mine which I workshopped when I was out in Texas – I’ve got reems of notes on it, but never seem to have managed to get into the groove of turning it around.

I don’t know if it’s the spring sunshine, the move away from the cold, dreary winter nights, or the knowledge after Laughter for Life that I really can achieve something if I set my mind to it, but I seem to have found not just inspiration, but motivation thrown in.

I’m all too aware of the ease with which my motivation can drop, so I’m keen to harrness it while I can.  And once I’ve built up some momentum, hopefully it’ll just keep coming.

And now I’ve blogged about it, of course, I’ll have plenty of people popping their heads in to ask how it’s going, which is only going to make me work harder, since the only other option is learning how to lie convincingly about what I’ve managed so far – and that’s just not me.

Recovery Road

It’s been a bit of a weird week this week – I appear to have been either out of the house working or running errands, or asleep.  It’s a bit all-or-nothing.

After travelling home on Monday I was shattered, but ok with a bit of an afternoon nap, then I had Tuesday morning to laze around before being on Taxi duty for K (through choice not compulsion, I must add).

Then yesterday, K started her new job (yay!), which meant I was up at 8am to get her there (boo), and then found myself coming home and passing out on the bed again till the afternoon – not intentionally, but when your body’s bossing you around after a weekend like mine, you listen.

Then last night it was back to normality with my session at MKT with the Youth Theatre.

I say “normality”, but it’s not every week that I get to spend 20 minutes shooting part of a short film with Samantha Janus just after she’s come off stage in Guys and Dolls.  Even by my celeb-bumping-into standards, this was a bit on the surreal side, my friend Helen (who’s the dep wardrobe mistress on the show) having spoken to her and got her to agree to do us a favour and pop up in cameo in our opening film for the YT show.

She was lovely, and very accomodating, especially since we literally accosted her straight off stage, at a time when I would imagine most performers just want to be left alone to veg out – especially with another show starting in just over 2 hour’s time.  But she happily stood around and delivered her line of dialogue for us enough times for us to cover it and we left her to it.

The rehearsal itself was very good again.  I spent the first part working with the Chorus on the piece I’d written, which was good fun, although slightly odd to be blocking something I’ve had in my head.  It’s what I love about working with performers, though, because it really gives you a chance to work through things and see how they work -and if it’s your own script, you can chop it and change it as much as you like.

The second half of the session was back with my Hamlet trio, who again worked diligently and have formed a great little grouping.  They were struggling slightly to get to the meaning behind some of the Shakespearean waffle, but we worked through it and managed to get through to what lies underneath the flowery poetry and make it make a bit more sense.

Although the show’s not too far away now (and if they’re reading this, they really need to be learning their lines!!), I think this piece has the potential to really show how talented some of our young people are.  Combined with the piece that Suze is directing – called After Juliet, a modern take on the aftermath of the Romeo and Juliet story – it’s a chance for our older members to really show some flair for the dramatic, and we both know that they’ve got the range and the power to do it.

That’s not to say it’s not going to take a considerable amount of work on their part, and support for them on ours, but if the work goes into it, they could make it something really special.  Of course, if they don’t, there’s the worrying prospect of it coming out as a group of youngsters lost in a mire of misunderstood poetry.  But that’s the challenge.

I’m hoping that this weekend is going to provide a nice window of relaxation for me – a chance to stay in bed, or veg on the sofa and do as little as possible, whilst shoe-horning as many calories as possible down my throat to keep energy levels high and infections at bay.

It may have left me struggling for energy, but I’m determined that the weekend isn’t going to take me down!

Back on track

I’ve had a brilliant day today, taken up mostly with a mammoth 4-hour meeting with Suze and Rheya about the MKT show this April.

The show, which is going to be in aid of the Cystic Fibrosis Trust, will be something of a gala performance for the Activ8 Youth Theatre, with whom Suze and I have worked (on-and-off on my part) for the last 5-6 years.  We’ve never had the opportunity to start with such carte blanche as we’ve been given here, and it’s fantastic – if a little daunting.

The Youth Theatre have been lucky in the past if they secured a single performance date in a 12-month period, so to have this show coming so quickly off the back of the summer show is exciting in and of itself, but to have such free reign to make the most of our stage time is a fantastic opportunity for all the children and young people involved.

So far, we’re looking at doing devised pieces for the youngest three groups, and then a combination of devised, scripted and new-writing pieces with the oldest group – who have mostly been with us for a long time and will no doubt be raring to display the many facets of stage-craft they’ve had the chance to develop working with a practitioner as accomplished and, let’s face it, off-the-wall as Suze.

Today’s meeting was spent hammering out exactly what each group would be doing – allowing for the fact that the rehearsal process is sure to kick up a few new challenges and options on the way – and also going over a few storylines for some of the devised pieces which needed solidifying before we past them back to the groups to continue working.

The groups have already been working on some of the stuff that will be incorporated into the performance in the last term, but the ideas they’ve developed will all be picked up and run with over the course of the next 10 weeks leading up to the show.  The idea is that we’ll be using familiar material but probe deeper into it to make sure we’re challenging them to come up with something that will push them and make the most of the showcase they’ve been offered.

I’m most excited about the fact that I’m due to return to rehearsals on Wednesday and Suze has offered me the opportunity to write part of the show and to direct a separate section with some of the older group involved.  It’s been so long since I’ve directed anything from scratch that I’m REALLY looking forward to it and can’t wait to get going.

The section I’m working on is an amalgam of scenes from Hamlet and Tom Stoppard’s Rosencrantz and Guildenstern are dead – a show I’ve always wanted to direct in its entirety.

I have to confess I’ve been a little on the tired side after our enormous brain-storming/planning session, but I feel so jazzed at the thought of being part of this show.  It’s wonderfully exciting to be working with the groups towards something that will really show their families and, hopefully, the wider community, what they are capable of doing.

Tickets are available NOW from the Milton Keynes Theatre box office 0870 060 6652 (with a booking fee) or online here. (plug, plug)

In other news: my new BlackBerry arrived today, too!!  After all my to-ing and fro-ing with O2 (the phone company, not the oxygen people), I managed not only to secure a free upgrade to the BlackBerry, but also to upgrade my call plan to double the minutes (400) and ten times the texts (1,000) per month for the same money.  And I only wanted the phone….

Unfortunately, since it arrived I’ve been castigated by K after spending all morning and half the afternoon in a meeting for then getting so wrapped up in my new toy that I’ve hardly paid any attention to her all day. 

I’d like to make a witty-yet-cutting riposte to show her that she’s completely in the wrong and I’m smugly in the right as usual, but I really can’t defend myself on this one, so I’m going to slope off and use my apologetic face.

EMILY UPDATE: For those of you still keeping tabs on Em (of which I know there are tons) she’s still doing well.  She’s still on the vent for the moment, but her family say things are looking good for now.  Thanks to you all for your love, prayers and support – I know they’re greatly appreciated.