Archives: Film

So I’ve managed, it appears, to spend a couple of days without sending my Tac levels sky-high and spending all dy hurling, which is nice.  I have, however, managed to do something to my left-hand side, which is causing me a great deal of pain right now.

We think – in our infinite wisdom (read: mildly-educated guesswork between one trained nurse and one former-CF patient, newly transplanted) – that I may have strained the stitches on my internal wound.  Back visiting the flat on Christmas Eve, our little nephew came running into the study to see what we were all gauping at on the computer and without thinking I automatically hoisted him up on to my lap.  We reckon the effort of lifting him may have pulled on the stiches (which won’t have fully healed and dissolved for another few weeks yet) and that’s what’s causing the pain.

The biggest problem is that it’s right on my Lat muscle (the sort of angular one that comes down under your armpit), which means just about any body movement twinges the stiches and gives me a nice, healthy, bracing shot of pain.  I’m dosing myself up with Paracetamol and Tramadol at regular intervals, but it doesn’t seem to be doing a whole lot.

Still, the plus side of all of this is that the pain in my side is literally the only thing I’ve got to moan about.  Everything else is absolutely brilliant – I’m walking around freely, my appetite is fantastic, I’m enjoying my days and sleeping pretty well through the nights.  I’m full of hope and excitement for the New Year and just wondering which of my many possible projects I want to tackle first once I’m up and running.

Today I’ve had a day off from going to Harefield, which was nice as it meant I got a bit of a lie in.  I had a wonderfully lazy Saturday morning lying in bed with K reading the paper and chilling out before I got up and had a nice soak in the bath (which did wonders for the pain in my side). 

The rest of the day has been spent in similarly chilled fashion, watching TV, sleeping a little and doing the mini-exercise regieme that the Harefield physios set me before I left.

Tomorrow, K and I hope to get back to the flat to try spending a few nights there over New Year to see how we get on.  At the moment I’m lucky in that I’m here being pampered by Mum and Dad but I really need to get back on my own two feet.  While I know that K’s going to be there to do things for me if I need them doing (which, doubtless, I will to start with), it still feels like a pretty major and slightly scary step.  But at the same time, it’s wonderfully exciting and I can’t wait – it’s one more step on the road back to “normality”.

We’re just a couple of days away now from the end of the most amazing year of my life – one that’s seen more ups and downs than  an entire day riding Nemesis at Alton Towers, but one which will no doubt stick in my mind forever, for all the right reasons.

Despite everything that’s gone on in the last six weeks and despite all the hardships of the year before that, I’ve done some things this year that I’ve always dreamed of doing and can’t wait to have the opportunity to do again. 

K and I sat watching a film last night which summed up my attitude to life perfectly.  Funnily enough, I don’t normally credit Adam Sandler movies with being all that profound, but watching Click reminded me that life is about every experience you go through, good or bad, and that every single thing you go through helps to shape you as a person.  I would not swap a single day of the last 12 months because the great ones were the greatest because of how hard I had to fight to get through them and the bad ones were the worst but taught be more about myself, my strength and my resolve than a million sessions with a phsycologist or life coach ever could.

Here’s to meeting with triumph and disaster and treating those imposters just the same.  And here’s to 2007: year of wonders yet to cease.

I’ve long held an affinity for the way the American’s make their television.  They have a solid work ethic, a prodigious output and some incredibly high-quality programming which is all churned out based on a very rigid formula of writing and producing a season of some 20-25 episodes per year.

Most US shows work on a rolling basis, with a team of writers (the “Writers’ Room”, supervised by the Executive Producer/Head Writer or “Showrunner”) coming together to pitch storylines, plot character arcs and map out the direction of the show for the coming weeks and months pretty regularly, then going away and writing individual episodes alone.  Every show has a slightly different way of doing things, but most hour-long or half-hour shows work to the same essential template – Lost, Desperate Housewives, 24, Bones, E.R., Scrubs, House, Friends, you name it, they’re all run the same way.

A big part of the success of American television, of course, is the sheer size of the budgets that they throw at their dramatic or comedic output.  Compared to the cash we spend on our “series”, the Americans spend a small fortune on each episode, treating each 43-minutes of screen time (for an hour-long show, to make way for the commericals) as a mini-feature film.  We might think we have big-budget blockbuster shows over here, but even our biggest extravagances like Dr Who or Robin Hood pale in comparison – and they only run for 13 eps a season.

This extra money goes not only into “on screen” elements, but also means that they can afford the “writers’ rooms” which create the shows, something which is prohibitvely expensive over here.  If you’re creating a 6-part series (as most shows are over here, ignoring the tent-pole BBC Who and Hood and the “continuing dramas” which we refer to as “Soaps”), it’s much cheaper and easier to use one or two writers to write the whole thing, with a little creative input from the Producer(s) and possibly director(s) as you go than to hire a team of writers to work together on it.

In any case, British writers aren’t schooled in the writers’ room methods, meaning that even if we did try to do it their way, we’d probably end up turning out TV-Camels* rather than the American’s well-practiced Horses. (That said, there are still a huge number of US shows which fail to hit the mark and never see more than a few episodes or a single season.  Just look at Studio 60, or try Googling “Viva Laughlin”, it’s just that we rarely see them over here because our networks don’t pick them up)

All of which is just a long preamble into talking about what’s going on in the States at the moment, namely the Writers’ Guild of America strike which has seen writers from all of the country’s top shows – as well as their rubbish ones, too – down pencils, power-down desktops, shut their notebooks and hit the picket lines after negotiations on their new contract with the studios who produce their work broke down.

Essentially, the Writers’ Guild of America is like any other labour union (or, since they’re American, labor union) in that they negotiate the basic rates of pay that their members can expect and, indeed, demand, if they are working on studio movies and/or TV shows.  As part of the minimum deal, writers are entitled to “residuals”, which means every time the show is aired on TV, they get a small payment (based on what money the Studio makes) and every time someone buys a copy of the DVD they get a small payment.  As it stands, they receive a whopping $0.04 per $18.99 DVD sold.

The main bone of contention, however, is not with the DVD residuals (although they would like to double it to $0.08 per DVD, it’s not a deal-breaker, by most accounts), it is with digital “airplay” – the streaming of episodes via the Studio’s websites or the downloading of the shows through new-media outlets like iTunes and their ilk.  Right now, the writers who create the shows and are valued enough to earn good money and acceptable residuals on TV-play and DVD-sales get nothing for internet use of their work.  Nothing at all.

Now, the in’s and out’s of all this are clearly numerous and well-covered in many places across the ‘net – if you want to know more and more specifics, click the logo above right to go to the striker’s website, or see the explanations on YouTube – but suffice it to say from me that it seems completely, bafflingly down-right criminal that the Studios should be claiming that they don’t make money from paid-for downloads of shows and from the advertising they sell to tack on to the streamed versions.

The writers, honestly and fairly I believe, think that they are entitled to a similar cut of the profits of their shows from the internet as they get from all other forms of their distribution.   And since it’s very likely that more and more TV is likely to be seen via the ‘net in the years to come – indeed, many people are predicting that the ‘net will become the primary source for our television consumption in the next decade or so – it stands to reason that the writers want in on it.

There are always going to be the people who disagree with the principle of writers receiving residuals for work they’ve already done and I’m not really interested in trying to turn those people around, but beyond there I don’t see how anyone can say that writers don’t deserve a cut of the digital profits.  It’s not greed, it’s just fair and decent.  If you accept the principal that they should be paid a cut of the profits from screenings and sales of their work, then online sales has to come into the equation.

Anyway, all of that is a very, very long-winded and roundabout way of saying that I’m wholeheartedly supporting the American writers in their strike action and that if I were being paid to write now, I’d be putting my pencil down and if I could walk more than 10m without needing a long sit-down, I’d be with them on the picket lines.  If I was in the States.  As it is, I’ve just signed this petition.  Which is about all I can do, as well as urging you to do it too.

For now, the strike is having little impact on our TV schedules, but if it goes on more than a few more weeks, we’re going to see pretty big holes open up in our Spring schedules, including things like Season 2 of Heroes, Season 4 of Lost and many others besides.

It’s nice to write about something other than feeling rubbish.

* the old famous saying, “A camel is a horse designed by a committee.”

I am very much asleep when the alarm goes off this morning and I prize myself out of bed in a slow and careful manner. Drugs duely flowing, I try my hardest to stay awake while they run through, watching some Making of Toy Story DVD as I do.

Once the drugs are done I’m about focused enough to run K into work, but when I get home I take myself straight back to bed for another hour’s kip, which is rudely interrupted 45 mins in (just when it’s about perfect snoozing) by the postman, who can’t let himself in again (to the building, that is – he doesn’t try to break into our flat of a morning).

I decide it’s pointless trying to re-claim my 15 minutes and so head for a bath instead, then check my email quickly before Mum arrives to whisk me over to Oxford for my physio appointment.

My CF team in Oxford have recently reached a deal with the physio department whereby they can cross-pollinate departments – whereas I used to only be able to see chest-specialist physios (who are paid for under the CF-care banner) if I wanted to see any other type of physio, it would have to be a paid-for referral either from my GP (who’s in the wrong PCT) or the chest team (who can’t afford the extra fees). Charging issues ironed out, however, I am free to go and see a muscular-skeletal physio who is part of the Churchill team up the corridor from my usual clinic.

What a difference a specialist makes. My two regular physios sat in on the session too, eager to learn the basics of what they could do to help me (and others) out with my neck/back problems, all of which stem from the extra work my respiratory muscles are having to do to make up for the cruddy condition of my lungs. After half and hour’s poking, prodding and manipulation, I can already feel a difference, and the physio promises if I can get up there every week she’ll find 10 minutes to have another go and keep the main parts mobilized, with the eventual aim that I’ll be able to strengthen the muscles back up to pull more weight without so much strain.

After my neck session, I head down to the treatment centre with my regular physio for a regular chest physio session, at which we also do my L-F, which stands back up at a healthy (relatively) 0.8/1.5, which is good to see. Even more astonishingly, my weight has now hit 56kg on the clinic scales, and that’s without a thick jumper on. I’ve NEVER been this heavy before, and it feels like a real achievement.

Back home I feel terrible because K’s had a bad day at work and only been home half an hour but all I can do when I walk in the door is fold myself into bed and fall asleep. Rested an recovered after an hour or so, I try to make it up with Tea (which is usually a good place to start) and she appears not to harbour any of the kind of grudge I think I would given reversed circumstances. It’s times like these that my “frailties” really bug me – it seems such a small thing to ask to be able just to chill and have a cuddle after a bad day, but when I’m tired, especially from travel, I’m really not in a state to do anything. What makes K so wonderful is the fact that no matter what the situation, she never complains at all.

In the evening, an old school friend who’s recently moved back over from France pops round and we have a giggle-some night of pizza and board games. We discover, much to our disppointment, that Operation really isn’t that difficult if you’re any older than about 10. None of us had played it for years, but he’d had it at home and thought it was in marvelously bad taste to bring it round (which we both readily agreed). Naturally, they let me win, since otherwise it would just have been rude.

Another couple of games of Scene It (of which I won neither, let the record show – for those of you who think I must just walk it every time), and B headed off home. My drugs were due later than normal because of bad planning on my part so K headed to bed while I did my last dose, watching some Sky+’d Simpsons and the start of The American President, which I’d recorded a while ago before surfing the ‘net for a while during my evening nebs.

I eventually make it to bed about 1.30am, where I read Kevin Smith just long enough to make my eyelids heavy then settle down for the night.

So Saturday night was a bit of a bump, but Sunday and Monday have been a much more even keel – I’ve stayed resolutely on the positivity band-wagon, although I may have slid sideways a couple of times.

Yesterday morning vanished into nothing – a brief wake-up call at 7am to do my morning drugs dose, but the rest disappearing under the covers after another late night.

Shortly after the turn of noon, having stumbled out of bed, K’s Dad swung by with the visiting boyfriend of her Hungarian cousin.  Actually, technically, I don’t think they’re cousins, but once you get into the Hungarian side of the family I’m afraid I rather lose track of her clan.  I can only just keep track of the English side, but that’s because they’re inconsiderate enough to have 2 Uncle Peter’s, which is just foolish if you ask me.  I don’t see why they couldn’t have drawn straws for a name change to help me out just a little.

I digress.  T’s English was immaculate (handy, considering the state of my Hungarian) and it was really nice to meet him and chat.  K was revelling in getting first-hand details of all the goings on with her Hungarian cousins, one of whom is due to have her first child any day now.  K was keen for T to let his other half know that being an Aunty is “the best thing in the world”.  I ventured to point out that I daresay being a Mum might be considered to top it, but I always get shouted down.

They didn’t stay long, since K’s Dad was taking T off for a round-the-houses meet-and-greet of the rest of Team H over lunch.  I should think he got back to his apartment in London absolutely shattered after getting through the whole gang.

In the evening, we headed over to my ‘rents to catch up with them and have a gorgeous roast.  I know everyone always says it, but my Mum does the BEST roast dinners in the whole wide world and last night she even managed to out-do her usual high standards.  It was but a whisker short of perfection. (The whisker being Tio’s, their lovely little cat, who brought us a wee mouse as a pre-dinner snack).

After dinner we played chilled out and played games for a while before K and I headed home as everyone but me had to be up for work in the morning.  Not that it means I get a lie in as I had to be up for my drugs anyway.  Sometimes you just can’t win.

Today has been a generally un-taxing day.  I’ve not felt 100%, but it’s most just tiredness, largely caused by a busy weekend and the usual end-of-IV-run lack of decent sleep.  Having to be up every 8 hours to do drugs doesn’t sound like a bind, but when you figure it means you only ever get around 6 hours of sleep at a given time, it starts to wear you down a fair bit.

I did manage to catch a movie I’ve been trying to peep for a while now, which actually ended up disappointing me greatly, so I’ll not even go into detail here.  Suffice it to say I’ll not be awaiting the next QT flick as eagerly as I did this one.

Tonight, once K got in from work, apart from nebs and physio, plus another 20 minute bike sesh, we’ve basically just been in front of the telly finishing off the third season of Lost, which just totally blew us away – it’s amazing.  If you’ve never seen it, you absolutely have to go out and get all three seasons in their box sets now and check them out – they’re completely compulsive viewing.

Now there’s just time for another dose of drugs and a catch-up on some of last night’s telly while they go through and it’ll be off to bed and start again in the morning.  I’m determined to be productive tomorrow.  Watch this space.

Up to Oxford today for my mid-IV once-over, during which all signs were pointing to “pretty good”.  “Good” is obviously a relative term, but compared to last week, where I was perched on the verge of a bit of a down-turn, things are doing pretty well.

Lung function is up to 0.75/1.5 from 0.7/1.2, which is a goodly leap (18%/30% from 17%/24%) in the space of a week, my sats are holding steady around the 90% mark on 2l O2 per minute and my exercise tolerance is improving.

Yesterday we took delivery of a brand new exercise bike from the lovely Fitness for Hire, a company who loan out exercise equipment so you can see whether or not you’re likely to get into the habit of using it without throwing away a whole heap of dough on something that’s just going to sit and gather dust.  We’ve loaned it for 4 weeks for starters and if it doesn’t get used, it’ll just go back, no hassle.

The theory is, according to the Physios-Who-Know, that working on a bike is easier on the chest/lungs than step-ups with Goliath as the tendency is not to desaturate so quickly.  I don’t know why that is, or exactly how the process works, but what it basically means is that by using the bike I will be able to do more exercise without getting so out of breath.  This, in turn, should mean that I can make my muscles do more work, rather than my lungs stopping me before my muscles really get a work out, and the muscular improvment will serve to improve the flow and use of oxygen around the body, meaning that I require less oxygen to do everyday tasks, which means I get less breathless while doing them.

Theory is all well and good, but we know how my body likes to throw googlies (or curveballs, if you’re more comfortable with the American vernacular), so having the option to bail out on the purchase of a hefty piece of equipment is a good option for right now.

I have to say, having had a wee spin on a bike at Oxford today, it certainly looks promising as a less intense form of exercise.  Obviously, there are different levels of resistance and speed settings and a whole host of other options, but the great thing about it is that the very basic starting point is easily managable, giving a lot more leeway in terms of turning things up or down as my chest may dictate from day-to-day.  The trouble with step-ups is that they are very set-in-stone – it’s a set distance, with a set weight (my body-weight), over a set time.  The bike, on the other hand, has myriad ways of making things easier or harder as my body goes through it’s yo-yo routine.

Once again – and as usual – we’ll wait and see what comes of it.  I don’t want to get too over-excited at something that’s just going to fall by the wayside again, but the promise is there for something with potential.

Sadly no progress on the script today, because the trip to Oxford has pretty much sucked the energy out of me, so it’s probably a night in front of the TV tonight, maybe catching a flick or something.  But it’s been a positive day, so I’m not going to moan about a little bit of tiredness at the end of it.

Today, I have felt good ALL DAY.

It’s a mystery where it’s come from, and I don’t harbour much hope of it lasting into the weekend, such is the nature of my up-and-down life at the moment, but damned if I haven’t enjoyed it today.

I woke up this morning after a good night’s sleep (which is rare enough) not feeling horrible.  As I plodded around the flat after rousing myself from the bedroom, I waited for the inevitable on-set of hideousness which usually hits about 20-30 minutes after I get up, but it never seemed to materialise.

I had the smallest glimmer of a headache after doing my morning physio session, but I hurriedly popped some paracetamol and ibuprofen and by the time I’d done my nebs it had passed, never to return.

We were joined, late morning, by our little niece and nephew on a spur of the moment visit with their mum.  There’s really no better way to start your day than with the fun and laughter of a pair of adorable children.  I even had enough energy to police the tiny terror as he rampaged his way around the flat – a job that’s normally delegated to K or his mum.

In fact, he didn’t cause too much chaos being mostly occupied as he was with emptying the fruit bowl and putting it all back again, before deciding to re-home most of its contents around the living room.  We’re still finding oranges in the most unlikely of places and I’m sure we had a lime earlier, too.  His main occupation after fruit picking was wall-drawing, but we managed to get away with just the mildest hint of blue in the hallway, largely down to the grown-up party-poopers who kept spoiling the fun.

Once they’d gone – with the elder of the two climbing backwards down the stairs (all 18 of them) on the way back down the car park, cheered on by her little bro who would doubtless have been counting them down if he had any concept of numbers – we had time to chill a bit and grab some lunch before I ran K to the docs for a quick hello.  From there, since it’s just down the road from her ‘rents, we stopped in for a quick cuppa, which is lovely because it’s a good 20 minutes from our place and we don’t get to do it very often.

When we got home, another of our friends popped over, enjoying his day off, and while K busied herself baking in the kitchen, we sat through Fantastic Four: Rise of the Silver Surfer.  It was awful.  Not just not very good.  It was abominable.  Like the snowman, but with less fur.

Mr S, who brought it over, had refused to see it at the cinema on the basis that he was sure he wasn’t going to like it, so thought it would be amusing for the two of us to sit through the DVD together on the basis that we’d both spend most of the film shouting obscenities at it for being so rubbish.  We, unfortunately, share a few friends who suffer under the delusion that it’s actually quite good and would be very upset to hear us bad-mouthing it all the way through, so this afternoon proved very useful for both of us.

Seriously, though, it’s AWFUL.  Don’t touch it.  Not even for the kids.

Since then, I’ve managed my neb and second physio session and nebs (lots of those, these days) and am still – touch wood – seemingly going strong.  Dinner shortly, then a catch up on last night’s telly, methinks, before hitting the sack for what I hope will be another bonza night of sleep.

You never know these days how long the ups are going to last, but I seem to have perfected the art of making the most of them when they are around.  It’s good to feel good.

I’ve taken a real step back over the last week or so, not so much physically (thank goodness), but mentally.

I’m all too aware that moods change on a regular basis and that it’s more than possible to be up one minute and down the next – that changes in the tone of life are rarely long-held and that normality will be restored with time.  But right now things just seem more difficult than they have been for a while.

I’m not entirely sure what kicked it off, although I suspect it was accelerated last Monday when I didn’t go to the cinema.  It seems like a strange non-event to become a catalyst for a wave of negativity, but it seems to have encapsulated a lot of hang-ups all in one go.

I was supposed to be going to see a flick I’ve wanted to see for a while with a friend of mine who had the week off, who then had to cancel as he’d promised himself to another mate for his birthday all day and couldn’t swing the time for the movie.  It wouldn’t have been much of an issue in the past, I’d have just gone along on my own.  But I realised that I had neither the strength nor the confidence to face going to the cinema by myself any more.

From there, things descended down what I suppose is a fairly inevitable path of reassessment of what’s going on in my life and unpleasant realities creeping into my consciousness again.

All of a sudden my inner-eye has switched focus from what I am still able to do with myself from day-to-day to what is now beyond me.  All I seem to be able to focus on is what I can’t do rather than what I can.  And there’s a lot more things that I’m unable to do than things I can still do.

Everyone has these periodic reassessments of life – where you find yourself taking stock of where you are and how it compares to last year, how it compares to where you thought you’d be, how it compares to where you want to be.  And everyone inevitably faces battles against what they expected and what they find – it’s the way life works that we almost never find ourselves in precisely the position we would like to be in.

Still, I can’t seem to shake the dark cloud that’s descended on me again, dragging everything around me into a mire of misinterpretation and moping.  I don’t like this me, I don’t like being so downbeat about everything and struggling to appreciate all of the wonderful things I’ve got in my life.  But try as I might, I can’t see the light through the dense forest of overwhelming bleakness.

Even the simple joys of spending time with K’s nieces and nephews has been taken away this week as they’re all coming through the early-autumn cough and cold season.

I’m trying so hard not to let myself get beaten down by the hard stuff and to enjoy the good stuff that’s still around but I just feel so bitter and resentful and angry with the world sometimes, but I’ve got no outlet for it.  I don’t have the energy to shout and rant and rave and let it all out.  I don’t have the energy to take myself off for a cathartic drive around the back roads like I used to.  I don’t have the energy or the inclination to do anything to help myself out of my funk and it makes me even more angry – with myself and with my situation.

It’s a vicious circle and I know that I’m helping to perpetuate it by allowing myself to wallow in my unhappiness.  I just don’t know how to take myself out of it at the moment – I can’t see the proverbial wood for the trees and I can’t remember what cleared my head of this fog last time.

The one hope I do cling to is that I know I’ve been here before – I know I’ve felt this bleak, dark blackness and I know it’s gone away, so I know it’s beatable.  I just can’t remember how.  And I hope like hell I’ll find the trump card soon.

PS – I’ve mixed so many metaphors here you could make a cake, so I apologise.  It’s not the kind of post I feel like re-reading to spell-check or clean up, though, so we’ll just have to live with it.

Hurrah!  I finished the first cut of the Live Life Then Give Life ad last night and I’m really pleased with it.

Ironically, after spending a couple of weeks picking and piecing things together (on and off), the actual picture edit didn’t take me that long, once I’d got to grips with the tools.  What actually took the time was the 15 seconds of titles at the end, which required 3 separate, fully-rendered images created in a separate program and imported into the editing software.

You always know you’re in trouble with a piece of software when you open it’s electronic user manual (it’s another one of those which doesn’t come with a hard-copy version as it would, presumably, take up a whole book shelf) and it says,

“Because LiveType is a creative tool, documentation can only go so far in describing its
potential…In the end, you are limited only by our own creative vision, and the way to push the limits of LiveType is to jump in and start creating”

Or, to paraphrase in more precise language: we’ll tell you what the buttons do, but then you’re on your own.

And in case no one reading this blog has noted it in the past – I’m not very good at being on my own…

Still, soldier on I did and churn out something fairly brilliantly acceptable I did, too, if I do say so myself.

Seriously, I’m actually really happy with this as a first cut and I’m keen to show it to the rest of the gang at Live Life Then Give Life to see what they make of it.  Once I’ve got their feedback, I’ll have to pull my socks up and launch myself into another cut of it, no doubt killing some of my creative babies on the way, but such is the world of film – it doesn’t pay to be precious.

I’ve taken a bit of a leap in second-guessing people’s level of understanding and how quickly they’ll marry the intentions and the images, so it’ll be interesting to see whether or not it works of if I, having been so close to the material for so long, have made some major assumptions which stretch things too far.

We’ll wait and see and I’ll report back, no doubt.  Watch this space.

I’ve spent most of my day today sat in front of my shiney mac edit suite working on cutting together a pilot ad for Live Life Then Give Life.  I’ve been working on it, on and off like most things, for the last few months and we finally got all the footage in the can last week, with thanks to the wonderful Rheya who shot all the video for me.

This is the first time I’ve used my Final Cut Pro system to edit anything with a purpose, beyond toying around with it.  And boy, is it a steep learning curve.

The whole thing comes with bundles of documentation to go with it, ostensibly a guide-book, but it’s the kind of program where reading the book actually doesn’t do a whole lot to help you get to know the software – the only way to learn it is to just throw yourself into it and see what happens.

Patient as I am with technology(…), it’s managed to make even my cool-headed, even-tempered approach a little fraught at times.  It’s hardly surprising, though, since the whole edit suite is a package of 6 different programs, with an instruction manual 4 VOLUMES long – and that’s just for the video editing program.  All the other programs, like the soundtrack, titling and colouring software don’t have hard-copy manuals, only electronic copies within the software installation.

So I’ve been bumbling and fumbling my way through the most basic of practices, quickly establishing that everything I do has a) at least 3 other ways of achieving the same thing and b) they’re all quicker and easier than the one I tried first.

I’ve also discovered that a) I don’t know as much about this software as I thought I did at first and b) my brain isn’t big enough to learn all the things I need to learn in a single day just to keep up with the pace of the work I’m trying to do.

Similarly, it has emerged that a) everything in the instruction books is written into progressive lists of steps from A-X and b) it’s really hard to shake the habit of working through a whole day in list form.  And c) my brain is still at overload point.

Still, the ad is looking pretty good.  I had a bit of a mad one this afternoon, when I frantically text a bundle of friends for suggestions as to what music track I could put underneath it, which yielded some interesting results – anyone else keen on hearing ANOTHER inspirational clip backed by M People’s Search for the Hero?  Didn’t think so.  Nor me.

My music knowledge is pitiful, so I always fall back on asking the people I know who know their music and they all came up trumps.  The annoying thing about it is that I know all of the tracks (or almost all of the tracks) that they came up with, it’s just that my brain doesn’t work musically, so none of them occurred to me.  It’s an interesting side-note, that: if anyone wanted to think of a film-clip or quotation to fit something, I’d be right there, but asked to find some music to fit something, my brain draws a blank.

Amusingly enough, I had been cutting the piece to Mika’s Grace Kelly as a temporary fill-in with the right mood, and as I was getting my replies in, I finally managed to make the piece work with Grace Kelly underneath it, so as it happens I may not have needed the musical SOS anyway.  Still, it’s nice to know I’ve got people who still reply to my text messages, I suppose…

Tomorrow I’m off to Oxford in the morning for a quick once-over (nothing dramatic, I hope) and I’m hoping I’m not too tired to get back on with things in the afternoon.  That said, I’m not sure my brain can take 2 straight days of new information – it might over-heat slightly.

Full to the brim with new software knowledge I’m off to a) grab myself a cuppa and b) take myself to bed, where c) I hope to stop thinking in lists.

I have an unnatural love of Aaron Sorkin.  It’s really not very becoming for a man of my age.  I have a kind of giggly school-girl relationship with everything and anything he does.  Oddly, though, not many people actually know who he is.

Most people have never heard of him and fewer seem to have seen his TV shows.  The only thing most people know him for is A Few Good Men, the Tom Cruise/Demi Moore/Jack Nicholson movie, and even then most people only know it when they hear Nicholson bellowing, “You want the truth? YOU CAN’T HANDLE THE TRUTH!”

He wrote that.

He went on to create and write the immensely under-rated Sports Night, which ran for 2 seasons and 40-odd episodes in the States a decade or so ago, starring some proper actors who went on to big things in Six Feet Under and Desperate Housewives, but never really took off.  It got buried in the schedules on ABC1 over here a couple of years back, but I don’t think anyone noticed it.

After that he hit the big time (at least in the States) with the unbelievably brilliant West Wing, probably my all-time favourite TV show and multi-Emmy award winner.  Sadly, English audiences never really took to it and after the first series was broadcast to critical acclaim but rubbish ratings on Channel 4 it got shifted and bumped around the schedules on E4, More4, Another4, Someone Else’s4 and other such channels.

It was, however, consistently the best thing coming out of the States for 3 seasons, dropped a little in the 4th just before Sorkin left.  It carried on for another 3 seasons and was cancelled last year, ironically after its best season since Sorkin left.

So what did he do next?  The master wordsmith, the writer I most admire, the man, the myth, the legend went and created Studio 60 On The Sunset Strip – a behind-the-scenes comedy-drama about working on a weekly live sketch comedy show for a fictional US Network.

It’s inspired, sublime and completely riveting – I love the whole thing to pieces, even before you add in to the mix Matthew Perry (ex of Friends) in a role that let’s him loose with his very real talent, and two of the West Wing’s best regulars in Bradley Whitford and Timothy Busfield.

The only problem with watching the series unfold week-by-week on More4 as it is at the moment is the horrible knowledge that comes from following TV production in the United States.  You see, Studio 60 is SO good that the network (the real one, not the fictional one) pulled it after one 20-episode series.

Bummer.

Which leaves the tantalizing question of what it did wrong to get cancelled.  All shows have their bad weeks, especially when you’re working in the American system where they write the shows as they go (as opposed to the UK where all but the longest series like Dr Who or Robin Hood go into production with all of the scripts in almost final form), but Studio 60 has so far, in 5 episodes, hardly hit a bum note.

Did the American audience just not go for the show?  Did they just not carry on watching?  Or does it suddenly, mid-season, get completely rubbish.

I’m a Sorkin addict – I’ll watch anything he does because I think he’s one of the most talented writers on the planet.  And I know I’ll keep watching this to the bitter end (and you know already that the ending’s going to be bitter), but it’s kind of turning into car-crash TV, to be watched with your fingers over your eyes from behind the sofa.  Because you have to imagine that for a show this good at the start to get canceled after a single series, something BIG has got to go wrong with the quality of the output somewhere in the middle.

Ah well, you can’t win ’em all.  And even if it does get rubbish, I’ve got 115 hours of The West Wing on my DVD shelf to give me my Sorkin-fix.