Archives: TV

This week is National Organ Donor week, or Transplant Week if you’d rather the shorter version.

It’s a massive week for me, a chance to talk about the thing that I am most passionate about and, hopefully, to inspire people to sign the Organ Donor Register.

It’s only Monday morning, but already I’ve had three pieces go out: a short news piece on BBC Radio Northampton, a 3-minute news piece on ITV Anglia and a 15-minute chat on BBC Three Counties Radio yesterday morning.

Whenever I speak about cystic fibrosis or organ donation I know people listen. I’m blessed with both a compelling story and the means to express it. I’m not very good at identifying my own strengths, but I know communication is definitely one of them.

However well I speak or write, though, I know that most of my friends have heard this stuff a million times. Most people I’m connected to on Facebook have been with me throughout my whole journey and know exactly how I feel.

Despite this saturation, and to my surprise, they are still listening to everything I share. I’ve had more engagement on Twitter and Facebook in the last 24-48 hours than I’ve had for the last couple of weeks combined.

Why? Because I’m speaking with passion.

To listen to someone speaking with passion is to hear their words pour from their heart like a dam bursting to give way to the floods behind it. Regardless of whether you agree, more often than not you’ll listen to their arguments because of the force of feeling behind them.

Passion is honest. It’s almost impossible to fake passion, which is why politicians so frequently fall foul of the trap; they try so hard to sound passionate, but the effort always shows and comes across as a lack of sincerity at best, straight-up emotional manipulation at worst.

There is a rawness, a freshness, an authenticity to someone who speaks with passion that can’t be bought or faked. It’s naturally compelling and our ears tune into it without any conscious thought on our part.

I don’t like to bombard people with calls-to-action to sign the Organ Donor Register and talk to their family about their potential death. I recognise that it’s not a subject people much want to discuss. But weeks like this give me a chance to speak with passion about the thing I care most deeply about. So I’m grabbing this opportunity with both hands and I’ll be shouting from the rooftops all week.

You can help by simply sharing this post, or the organ donation link, with your friends so they understand just how important it is for us to stop three people every day dying while they wait for a transplant that doesn’t come in time.

(By the way, have you signed the Organ Donor Register? Do it now!)

Sky Atlantic, the brilliant new HBO-inspired channel from Sky, is currently running a number of great, classic shows from the beginning. Last night, I caught up with the Pilot and first few eps of ER, a show I used to adore but only started watching from around Season 4 or 5.

The pilot isn’t anything all that special: there isn’t much in the way of plot; it’s just a random collection of traumatic events and an introduction to the characters. I’ve seen many better pilots in my time.

What’s easy to forget some 17 years on from that first airing is just how revolutionary and innovative E.R. was at the time.

Never before had a medical drama been shot in such a kinetic, absorbing style. Never before had a show allowed its characters to speak “normally”, without qualifying what “O2 sats” or “insanelylongmedicallynamedthingy” was. Never before had a show stretched its character’s personal arcs across more than a few episodes before nicely tying them up.

Now TV can’t get enough of the verité style; the best shows all worry more about the characters than the events; our favourite shows stretch character arcs and storylines across entire seasons ((or even longer in some cases (LOST) )), without wrapping things up nicely at the end of each episode.

It’s easy when we look back at our old favourites ((be they TV shows, films or any other artistic or creative endeavour)) to see them in the same light we see things now. But if we’re going to continue to innovate, it’s vital that we don’t forget what innovation looked like in the first place.

Remembering how someone set about doing things differently can inspire us new creative heights, allowing us to see how people looked at things from new angles and created something fresh, exciting and–ultimately–hugely influential.

What innovations did your favourite films and shows introduce? How did they change the landscape and inspire other creators to go further?

Writer/Director ((and London Screenwriters’ Festival Hollywood Hookup guest)) John August has put this post up on his blog today (or probably yesterday, US-time) linking through to an original pitch document from Gene Roddenberry for STAR TREK.

The document itself is well worth a read, for insight if nothing else, but JA’s comments and thoughts are equally valuable. More than that, though, he once again shows his generosity in helping writers understand the process by linking through to three similar documents he created for un-produced TV shows.

Not many writers would have the confidence to share what is, essentially, rejected work with a wider audience. JA’s willingness to open his work to writers across the world shows not only his confidence and talent, but perhaps that we all could be a little more open in order to learn more about ourselves and others.

Read his full post here.