Monthly Archives: April 2009

I will update the rest of the blog at some point in the near future, but today has been too good to pass up the chance of blogging about it immediately.

As I’ve rather cryptically mentioned over the last couple of weeks I started writing a project that I’m really keen on. Many of you will now know the name of Chris Jones, a friend of mine who set out in 2007 to make an Oscar-winning short film. Many scoffed, but all were eating humble pie when he was short-listed down to the final 7. Now, that short (Gone Fishing, buy it here, it’s awesome) has landed Chris with all sorts of meetings and potential jobs as well as a top-flight manager Stateside.

Never one to re-invent the wheel when others have ploughed the furrow previously (nor, clearly, afraid to mix a metaphor), I thought I’d see if I could write something that might hit the same kind of notes and be the same kind of showcase as Gone Fishing has been for Chris.

So I started writing one night and came up with a story I liked. I sent it to my brother to look at and he liked it. More than that, he sent me 2 pages of notes to bring it up to scratch and then today we’ve spent the afternoon working through the script and really ironing out the detail of some very heavy military sequences.

What I have now is the first official draft of what I believe could become my calling card to the industry. *EGO ALERT, please look away now* I’ve known for a long time that I have the talent to succeed in this business, but I’ve never quite worked out how to convince other people of what I know I can do myself.*EGO OVER* This is it. This is the script that can change everything for me – I 100% believe that.

More than that, my brother likes it so much he’s putting the wheels into motion to get me the kind of support I could only dream of to help get this made. I can’t go into detail here as it’s in way to early a stage, but mark my words – keep your eyes out for Remembrance. It’s going to rock your socks.

Things keep getting better and better at the moment – I love my life!

Today I was back in the director’s chair for the first time in…well…a long time. And I’ve got to tell you – it’s a fantastic feeling.

I’ve spent a lot of time recently wondering if I really am following the path I want to follow – I’ve been out of the loop so long and become so distant from the dreams I used to have that I find myself wondering if I’ve changed since my transplant and if I’m chasing the dreams of the old me.

I can say with absolute certainty today that I am 100% on the road I want to be on. As I stood in the rehearsal room running through the Snippets scene for the MKT writers’ group showcase on Monday night, working, re-working, talking to the actors, polishing and finessing the piece I was in my element. All of the feelings that rumbled away within me about what I like doing, where my strengths lie, how I approach things came flooding back to me in the briefest of two-hour rehearsals.

I want more than ever to follow my dreams and to chase them down until I catch them at a run. I promised myself before my transplant when I was sitting at home on my sofa day-in, day-out that I would never let myself have just “a job” and that I’d always do something I love and am passionate about. I feel more strongly about that now than ever. Watch out world – here I come!

I was up middlingly-early this morning to drop K at the station to go in for an exam – she’s all done with lectures for the year now, just exams and assignments left – then home to go through the minor email backlog that I’ve built up over the last two days.

That cleared, I jump in the car and head to Toddington to the house of one of the writers whose pieces I’m directing for the MKT Snippets showcase. We’d planned a read-through so we can all meet – KH (the writer), myself and the cast – and go through the script to polish it up. I was a little concerned about some of the dialogue but actually most of it read fine and the bits that didn’t KH was really open to changing and adapting into the right language for the characters as the actors felt it.

Lots of valuable work on one script done, I came home to try to collar the cast for the second piece, to discover that one of them had pulled out and the other we STILL hadn’t heard from. The last remaining cast member has been absolutely awesome in trying to find us replacements, but it’s not easy at such short notice. Here’s hoping.

The rest of the afternoon and evening was spending tidying up the application and cracking on with the rewrites. I finished the major load of script work by the early evening, had a break for dinner and chill time, then went back in to redrafting one of my shorts and polishing another pair of scripts.

It was another late night/early morning finish, but I’m really happy with where I’ve got the scripts to. The short – the ambitious project I was talking about having written a couple of weeks ago – will need a further tweak for dialogue and authenticity, but I’m really excited by the whole thing now. I’ve got lost of projects which are really getting my creative juices flowing at the moment and it feels fantastic – I suddenly feel like I know what I’m doing and precisely where I want to go rather than sitting feeling open to all possibilities. I still want to work in multiple mediums, but I know what I want to do within them now, rather than having aspirations all over the place.

Now I just need to apply myself and push forward to get myself where I want to go. To borrow from a friend, “Onwards and upwards!”

It’s interesting how you end up perceiving time when your wake up calls move all over the place. I was up at 7am again today, which feels like an early start. When K is in the middle of a uni semester, though, it’s actually an hour-and-a-quarter’s lie in if we get to wake up at 7am. Strange.

Anyway, it was another early start this morning to get to the Grove for a short follow up to the first aid course in January to learn the specifics of paediatric first aid. We all expected the course to be a full day, but it turned out to be only a half-day, which was a nice surprise, although equally frustrating as I’d just paid £4 to park when I could have spent £1.50.

Still, post-course I headed straight home and settled down to my Arts Bursary application. MK Community Foundation offers an annual grant of £10,000 to an artist to help them develop their practice and create opportunities to earn their income from their art forms. The application calls for examples of your work, so while I had finished DVDs of my film work and some really nice photography to give them, I realised hastily that I needed to do a re-draft of one of my screenplays for my writing submission, as well as a polish on two others.

This afternoon, then, was dedicated to pushing on with the redrafting of the script. It has to be said there weren’t a huge number of wholesale changes to the script, but there was a lot of re-jigging and dialogue revision to be done. I worked on it solidly from 2pm to around 7pm with a couple of breaks, then settled on the sofa with K to chill and watch some TV.

When K called it a night I was back at the computer, getting to around halfway through the screenplay by the time I called it a night around 2am. Late night writing suits me, but it’s a pain in the proverbial if you’ve got things to do the next day. Luckily, I don’t have a heap of stuff on tomorrow, other than forging on through the redraft and application.

Crazy-busy day today. After the late finish last night, I was up at 7am this morning with just about enough wakefulness to throw myself in the shower, down some breakfast and jump in the car to get to the Royal for 8.30.

Once there I ran through the video cues with the DSM and made sure they all worked, inserting a few extra elements as we came across things that didn’t quite follow. Then the cast arrived and we set to work on a full technical run through, where I found myself doing my usual tech work of running around like a madman sorting all the extra little bits and bobs to make things work nicely and seamlessly.

Come 1pm we broke for lunch and I left the Theatre, heading back home with enough time to grab a sarnie before jumping back in the car and heading to the Grove for the first Youth Theatre session of the new term.

With the two Grove workshops dispatched and a couple of minor incidents dealt with, I was back at the wheel and headed North as quickly as legally possible (and possibly a little quicker) to get back to the Royal for the 8pm curtain-up on the first performance of Vikings and Darwin.

It went fantastically well, especially considering I’d not been there for the dress and the immediate audience reaction was brilliant, as was the feedback from the party of suits from the National. They came to see the show a few weeks ago in a scratch performance to judge whether it could go to play the festival at the National (sadly deciding “no” the following week), but commented on just how far the show had come.

I escaped the Royal around 9.30pm and was back home within the hour, with about enough time to chill out with K for a while in front of Hell’s Kitchen, to which she’s become addicted and I’ve found myself being drawn into as well. After that, it was an early(ish) bed for another early start in the morning.

Spent the vast majority of the day/evening today back in the auditorium of the Royal Theatre in Northampton where we were running the technical rehearsal of Vikings and Darwin, the Youth Theatre show for the RNT’s New Connections festival.

I can’t describe how great it felt to be back in the Theatre and working on something.

I had the morning off, which I spent catching up on piles of work which were still demanding my attention, then had a huge drama with the file I was delivering to the Royal. Somehow the PowerPoint presentation that was being used to facilitate the projection had stopped recognising and playing the video. Cue two hours of mad scrambling to-and-fro between computers, re-encoding video to try to get it to be accepted by stupid, stupid, stupid PPT. I profoundly hate PPT. but what can you do? It’s by far the easiest way to control projection when it’s not running as a full movie, but need prodding for each new element.

Crisis averted, I arrived at the Theatre about 4pm and settled in to a seat to watch the lighting plotting session that was in full-flow whilst we waited for the projection screen to arrive and be hung.

As soon as it was up, we got to work making everything fit, then the cast arrived in the early evening and we began running through it, making the necessary adjustments and changes as we were going.

The cast departed around 9.30pm and we carried on plotting and working through the cues until 10.45, at which point I escaped back home, getting back at about 11.30 and taking myself almost directly to bed for a 7am start the next day.

Yes, as you can see from the widget on my toolbar, I have (inevitably, I suppose) succumbed – and become immediately addicted – to Twitter.

I’m not really up near Ashton Kutcher’s 1,000,000 followers yet (I have 16), but hey, I’m not married to Demi Moore (although I’m probably old enough to be).

For those of you who don’t know what Twitter is yet or have just heard the name somewhere, I would try to explain but it always gets jumbled.

It’s basically Facebook-style status updates and nothing else. If that makes no sense then, erm, ask someone else.

Up at 8.15am this morning to head into London with K to drop off her assignments. We decided to make a day of it and thought we’d meet my bro in Town for lunch while we were there.

A 9.46am train from Bletchley – after a minor myriad of parking drama in their new “multi-storey” car park at the station – got us in to Euston just after half ten and into City Uni in Islington around 11am. We did he necessary drop-offs and collection of completed and marked coursework and then repaired to the cafe downstairs to dissect the results, which weren’t what K had hoped for. That said, we subsequently met three of her coursemates who all said that they scored lower than they had hoped and/or expected to and that the piece was particularly difficult.

Didn’t help confidence massively when you see notes in the margin from the tutor marking the piece referring to “applicibility” of something – if the tutor can make up words when summarising an essay, what chance do the students have, really? But that’s just me.

After a cuppa and a quick get-to-know-you chit-chat with some of K’s classmates, she whisked me off on a quick tour of the pertinent parts of the Uni campus, including the way-cool multi-media “pods” that the lecturers use when teaching which have all kinds of awesome high-tech gadgetry in them.

After the tour we headed up to the British Library, grabbing and highly-heathy MacDonald’s lunch on the way, only to discover that the exhibition on Henry VIII we wanted to see isn’t actually open for another 10 days. That’ll teach us to read more carefully.

We wandered back up to Euston with the intention of heading in to Leiscester Square or possibly Oxford Street but a combination of recent lack-of-sleep, extensive walking and half-term foot traffic meant we opted instead just to hop a train home.

Getting back in just after 3pm, I hit the computer for some email clearage before we headed into MK to stop in at Borders. I picked up a couple of bargain DVDs (Children of Men (awesome) and The Diving Bell and The Butterfly (not seen yet)) and K grabbed some reading material. Then we headed over to Waterstones in the Centre:MK to pick up a copy of The Writer’s Tale, a book following Russel T Davies’ creation of his fourth and final season of Dr Who before handing the reins over to Steven Moffat. I’ve so far only read a few pages and I’m already addicted – it’s very open, honest and works to open up the gates on a view of how he writes, something which is hard to find experienced writers talking about. While copying another writing will never work save to make you think very much of their ideas not yours, it’s always interesting to see how someone else approaches things and to realise that you might not be totally barmy after all.

After the book tour and an unsuccessful scout of travel agencies, we hit the cinema for The Boat That Rocks, the best worst film ever of this post’s title.

It’s an extremely bizarre film. It’s hackneyed yet fresh, it’s funny yet corny, it’s laddy yet tender, it’s meaningful yet frivilous. Most of all it’s frustratingly inconsistant – a major plot point (which I won’t divulge save to say it’s the final-reel action beat) moves at various paces from immediate and imminent danger to pausing catastrophe for a tea-break and chat. It leave many, many dramatic beats either unexplored or not followed up, almost like Richard Curtis (he of Four Weddings…, Notting Hill and Love, Actually fame) shot so much stuff he couldn’t choose what to leave in or take out so he closed his eyes and randomly selected scenes to excise.

But despite all of this – things that for almost any other movie I would tear my hair out, shout at the screen and spend 600 words here railing against – I really enjoyed it. It’s funny. It’s emotional, although not as tear-jerking or heavily-sentimental as Love, Actually (the only other of his scripts Curtis has directed himself). And somehow it just works. Just don’t ask me how or why.

After a personally-enforced Easter away from all things work-related, a blissful 4 days off, I spent the large part of last night sitting awake in the lounge unable to sleep. Frustrating isn’t the word.

Still, having been mulling over a new short film project in my head for a little while, I finally managed to get it down on paper. A 13-page stream of constant writing from 3am-5am got me through the whole thing in one shot and I’m actually really proud of the result. I’ve got to assess the options with it now, but I’m likely to “go big” with it – watch this space for grand plans to follow.

In the rest of the world, I slept for a grand total of about 3 hours between 6am and 9am before taking K to the doc’s in Northampton where I intended to work while I waited but ended up listening to a Radio 4 doc on Tommy Cooper instead – it’s almost work! Also chatted to my bro about advising me on certain parts of the new script, so I’ll print him a copy and drop it to him tonight.

When we got home I took the camera kit down to a friend who’s looking to borrow it for a donation to LLTGL so he could do a camera test with his Red Rock 35mm lens adapter and we were all impressed with the results. While I was there I also caught up with the guy who was on board to produce my last short before the casting when tits-up and it fell through. We chatted about our respective current projects and got into a great creative groove, which was awesome. I’ve not really got many friends in the same fields as me – particularly filmmaking and writing – so it was really nice to have a chance to sit and bounce some ideas around with people who think on the same wavelength and are happy to brainstorm ideas without thoughts to practicalities and everything else.

When I got back it was into full helpful-boyfriend mode, helping K encode and burn a DVD for one of her Uni coursework pieces to be handed in tomorrow, before bathing, shaving and dressing to go out.

My bro wanted to thank us all as a family for keeping him semi-sane with gifts and letters while he was away, so he took the five of us (him, me, K and the ‘rents) out to Loch Fyne, the seafood and oyster restaurant in Woburn. I say “new” in the title as it’s not a place I’ve been before, but it’s a real family favourite for everyone else.

Unhappily, many of the best things on the menu are on the big list of Forbidden Items for me post-tx, including Oysters and Mussels, the latter being one of my absolute favourites. I did, however, enjoy a fantatic meal of Squid followed by Bream, the latter being served almost plain such was the quality of the fish and the cooking.

We may also have enjoyed the odd tipple or two.

Back home after dinner, I finished shouting at iMovie (piece of rubbish) and wishing I had taught K how to use Final Cut Pro to edit her vid on, then manage to get it burnt and give her essay a quick proof-reader’s once-over before printing, binding, filing and packing for the morning before bed.

I am now officially in recovery following my first full week’s work for, well, ages.

Although I’m frequently busying myself with many different things, most of the are done from home in the study and involve writing, planning or other such creative-type endeavours. This week has been all about graft. If you count workshopping as graft – it’s not building a house or anything, but it’s chuffing tiring.

Over the course of four days I’ve been working alongside my usual Youth Theatre co-conspirator with a group of 6-11 year-olds to teach them a little about the theatre, some performances skills and putting together a short performance with which to entertain their parents this afternoon at the en of thei week’s work.

I have to confess to having been mildly trepitdatious of the project before it began, having had such a hard 10-week term with this age group in my Tuesday sessions, but the week’s been a dream. The group are all fantastic, all keen and eager and willing to learn and absorb things.

We’ve got through so much stuff in the last four days – more, in fact than we got through in an entire term with their contemporaries up to now. They’ve been brilliant fun and really entertained us while we’ve worked with them. Being able to have a laugh with your groups is so important to creating a good working atmosphere in any theatrical workshop setting, whether it be Youth Theatre, short projects or professional rehearsals.

It’s been pretty tiring and a real test of my stamina, but I’ve impressed myself with my ability to stick with it all day. Most of the week, it’s really hit me on the way home and I’ve been a bit of a vegetable when I’ve got in, but I’ve absolutely loved being able to stay the course all day.

This was driven home to me more than ever at Holly’s Donor Drinks on Tuesday (read more about them here) I was chatting to Emily’s mum and pointing out the fact that I’d just done a full day’s work then steamed home to jump on a crappy train to bring myself down to London to spend all evening at a drinks reception, followed by a late train home that got me in just before 11pm for bed and up for work the next morning. That’s something I’d never have dreamed of being able to do.

It’s strange working with a group of young people and looking at them with their whole lives ahead of them thinking that I’m so amazingly blessed just to be in the same room as them. And all thanks to the generosity of my donor and their family for taking the time to talk about their wishes and sign the Organ Donor Register.